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The False Princess
Princess and heir to the throne of Thorvaldor, Nalia has led a privileged life at court. But everything changes when she learns, just after her sixteenth birthday, that she is a false princess, a stand-in for the real Nalia, who has been hidden away for her protection. Cast out with little more than the clothes on her back, the girl now called Sinda must leave behind the city, her best friend, Kiernan, and the only life she's ever known. Sent to live with her only surviving relative—a cold, scornful woman with little patience for her newfound niece—Sinda proves inept at even the simplest tasks. Then she discovers that magic runs through her veins—long-suppressed, dangerous magic that s...
The False Princess
Princess and heir to the throne of Thorvaldor, Nalia has led a privileged life at court. But everything changes when she learns, just after her sixteenth birthday, that she is a false princess, a stand-in for the real Nalia, who has been hidden away for her protection. Cast out with little more than the clothes on her back, the girl now called Sinda must leave behind the city, her best friend, Kiernan, and the only life she's ever known. Sent to live with her only surviving relative—a cold, scornful woman with little patience for her newfound niece—Sinda proves inept at even the simplest tasks. Then she discovers that magic runs through her veins—long-suppressed, dangerous magic that s...
A Curse Dark as Gold
“In this slow-simmering but rewarding retelling, first-novelist Bunce presents an innovative interpretation of Rumpelstiltskin.” —Horn Book Winner of the William C. Morris Award for a Young Adult Debut An ALA Best Book for Young Adults A Smithsonian Notable Book An Oprah’s Book Club Kids’ Reading List Teen Selection The gold thread promises Charlotte Miller a chance to save her family’s beloved woolen mill. It promises a future for her sister, jobs for her townsfolk, security against her grasping uncle—maybe even true love. To get the thread, Charlotte must strike a bargain with its maker, the mysterious Jack Spinner. But the gleam of gold conjures a shadowy past—secrets ensn...
The Templeton Twins Have an Idea
This special edition of The Templeton Twins Have an Idea: Book One also includes a sneak preview of The Templeton Twins Make a Scene: Book Two and a Q&A with the author. Suppose there were 12-year-old twins, a boy and girl named John and Abigail Templeton. Let's say John was pragmatic and played the drums, and Abigail was theoretical and solved cryptic crosswords. Now suppose their father was a brilliant, if sometimes confused, inventor. And suppose that another set of twins—adults—named Dean D. Dean and Dan D. Dean, kidnapped the Templeton twins and their ridiculous dog in order to get their father to turn over one of his genius (sort of) inventions. Yes, I said kidnapped. Wouldn't it be fun to read about that? Oh please. It would so. Luckily for you, this is just the first in a series perfect for boys and girls who are smart, clever, and funny (just like the twins), and enjoy reading adventurous stories (who doesn't?!).
A Book of Sleep
When the sky grows dark and the moon glows bright, everyone goes to sleep . . . except for the watchful owl! With a spare, soothing text and beautifully rich and textured illustrations of a starry night, this is the perfect “book of sleep.” Join the owl on his moonlit journey as he watches all the other animals settle in for the night: some sleep standing up, while some sleep on the move! Some sleep peacefully alone, while others sleep all together, huddled close. Il Sung Na makes his American debut with this gorgeous bedtime offering. While each animal rests in its own special way, little ones will also drift off to a cozy sleep.
The Curse of Capistrano
McCulley's novel first appeared in 1919 as a five-part story serialized in All-Story Weekly, a popular pulp magazine. The novel was quickly adapted to film as The Mark of Zorro, starring Douglas Fairbanks.
Interfictions
Nineteen writers dig into the imaginative spaces between conventional genres—realistic and fantastical, scholarly and poetic, personal and political—and bring up gems of new fiction: interstitial fiction. This is the literary mode of the new century, a reflection of the complex, ambiguous, and challenging world that we live in. These nineteen stories, by some of the most interesting and innovative writers working today, will change your mind about what stories can and should do as they explore the imaginative space between conventional genres. The editors garnered stories from new and established authors in the United States, Canada, Australia, and the United Kingdom, and also fiction tr...
Charmed Deception
"The author of "The False Princess" returns with an exciting fantasy about a girl who discovers that she possesses magic, in a society where women are imprisoned for that gift. This story of growing up, taking risks, finding friendship and romance is perfect for fans of Shannon Hale's Books of Bayern series and Jessica Day George's The Twelve Dancing Princesses series. " Lady Sable is the daughter of a talented and powerful wizard in a land where women are not allowed to use, or even possess, magic on pain of imprisonment or even death. Her life is easy, filled as it is with riding horses, attending balls, and teasing her suitor. The only flaw in this perfection is her health; she must alway...
Ginny Good
A novel set in the 60's by a writer who lived through them.
A Sense of Dread
A Sense of Dread features three main sections.1) A detailed examination of the biological, psychological, and cultural bases of fear. What fears do we share with animals? What fears are uniquely human? What fears have we learned from our culture? From our families? From our experiences growing up? And what, exactly, is the difference between fear and dread?2) Author Neal Marshall Stevens explores the fundamentals of storytelling and scriptwriting, including the basics of story structure, creating effective protagonists and antagonists, exposition and set-ups, and advice on writing dialogue.3) A Sense of Dread then combines these ideas to explore the roots of human fear and apply them to storytelling for the screen. "The Toolbox of Dread" outlines the techniques for creating terror on the page. A wide array of horror subgenres are also explored, including why they exist, and what challenges each presents to the horror screenwriter. It also offers guidance on adding horror elements to non-horror movies.Finally, we seek to answer the question many people ask: What are you afraid of?
