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Handbook of Native American Literature
  • Language: en
  • Pages: 617

Handbook of Native American Literature

  • Type: Book
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  • Published: 2013-06-17
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  • Publisher: Routledge

The Handbook of Native American Literature is a unique, comprehensive, and authoritative guide to the oral and written literatures of Native Americans. It lays the perfect foundation for understanding the works of Native American writers. Divided into three major sections, Native American Oral Literatures, The Historical Emergence of Native American Writing, and A Native American Renaissance: 1967 to the Present, it includes 22 lengthy essays, written by scholars of the Association for the Study of American Indian Literatures. The book features reports on the oral traditions of various tribes and topics such as the relation of the Bible, dreams, oratory, humor, autobiography, and federal lan...

First Person, First Peoples
  • Language: en
  • Pages: 276

First Person, First Peoples

Native American students entering college often experience a dramatic confrontation of cultures. As one of the writers in this remarkable collective memoir remarks, "When I was a child, I was taught certain things: don't stand up to your elders; don't question authority; life is precious; the earth is precious; take it slowly; enjoy it. And then you go to college and you learn all these other things that never fit." Making things fit, finding that elusive balance between tribal values and the demands of campus life is a recurring theme in this landmark collection of personal essays. Navajo or Choctaw, Tlingit or Sioux, each of the essayists (all graduates of Dartmouth College) gives a heartf...

Mediation in Contemporary Native American Fiction
  • Language: en
  • Pages: 206

Mediation in Contemporary Native American Fiction

Mediation is the term James Ruppert uses to describe his important new theory of reading Native American fiction. Focusing on novels of six major contemporary American writers - N. Scott Momaday, James Welch, Leslie Silko, Gerald Vizenor, D'Arcy McNickle, and Louise Erdrich - Ruppert analyzes the ways in which these writers draw upon their bicultural heritage, guiding Native and non-Native readers alike to a different and expanded understanding of each other's worlds. While Native American writers may criticize white society, revealing its past and present injustices, their emphasis, Ruppert argues, is on healing, survival, and continuance. Their fiction aims to produce cross-cultural unders...

Contemporary American Indian Literatures & the Oral Tradition
  • Language: en
  • Pages: 276

Contemporary American Indian Literatures & the Oral Tradition

A literary study of Native American literature analyzes its sources in oral tradition, offering a theory of "conversive" critical theory as a way of understanding Indian literature's themes and concerns.

Speak to Me Words
  • Language: en
  • Pages: 316

Speak to Me Words

Although American Indian poetry is widely read and discussed, few resources have been available that focus on it critically. This book is the first collection of essays on the genre, bringing poetry out from under the shadow of fiction in the study of Native American literature. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices.

Beyond Two Worlds
  • Language: en
  • Pages: 350

Beyond Two Worlds

Beyond Two Worlds brings together scholars of Native history and Native American studies to offer fresh insights into the methodological and conceptual significance of the "two-worlds framework." They address the following questions: Where did the two-worlds framework originate? How has it changed over time? How does it continue to operate in today's world? Most people recognize the language of binaries birthed by the two-worlds trope—savage and civilized, East and West, primitive and modern. For more than four centuries, this lexicon has served as a grammar for settler colonialism. While many scholars have chastised this type of terminology in recent years, the power behind these words persists. With imagination and a critical evaluation of how language, politics, economics, and culture all influence the expectations that we place on one another, the contributors to this volume rethink the two-worlds trope, adding considerably to our understanding of the past and present.

Transforming Ethnohistories
  • Language: en
  • Pages: 318

Transforming Ethnohistories

Anthropologists need history to understand how the past has shaped the present. Historians need anthropology to help them interpret the past. Where anthropologists’ and historians’ needs intersect is ethnohistory. The contributors to this volume have been inspired in large part by the teaching and writing of distinguished ethnohistorian Raymond J. DeMallie, whose exemplary combination of ethnographic and archival research demonstrates the ways anthropology and history can work together to create an understanding of the past and the present. Transforming Ethnohistories comprises ten new avenues of ethnohistorical research ranging in topic from fiddling performances to environmental distur...

Early Native American Writing
  • Language: en
  • Pages: 276

Early Native American Writing

A collection of essays discussing early American Indian authors.

Gerald Vizenor
  • Language: en
  • Pages: 288

Gerald Vizenor

Kimberly M. Blaeser begins with an examination of Vizenor's concept of Native American oral culture and his unique incorporation of oral tradition in the written word. She details Vizenor's efforts to produce a form of writing that resists static meaning, involves the writer in the creation of the literary moment, and invites political action and explores the place of Vizenor's work within the larger context of contemporary tribal literature, Native American scholarship, and critical theory.

Women Intellectuals, Modernism, and Difference
  • Language: en
  • Pages: 260

Women Intellectuals, Modernism, and Difference

How do gender and race become objects of intellectual inquiry? What happens to marginal discourses when they participate in the academic processes of scrutiny and evaluation? In Women Intellectuals, Modernism, and Difference, Alice Gambrell examines the careers of a group of women intellectuals - Leonora Carrington, Ella Deloria, H. D., Zora Neale Hurston, and Frida Kahlo - whose scholarly rediscovery coincided with the rise of feminist and minority discourse studies in the academy. She examines the exhibitions, memoirs, poems, ethnographies, and personal correspondences these women produced, combining concrete local observation with contemporary theoretical perspectives on race and gender. Through a mixture of empirical detail and theoretical speculation, Gambrell explores the role these women played in expanding the conception of American literature by their involvement in the Harlem Renaissance. She offers new ways of thinking about the relationships between cultural studies, feminism and minority discourse within the ongoing reassessment of modernism.