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"Composing the Canon in the German Democratic Republis uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself"--Jacket.
Explores the complex ethical dilemmas of human mobility in the context of climate change Currently, adaptation policy for climate change prioritises economic and technological dimensions of governance and action. Now, Elaine Kelly brings continental theory into the conversation to explore the ethical dilemmas stemming from emerging global political crises of migration, displacement and communal relocation related to climate change. She argues that, in the era of anthropocentric climate change, an 'ethos of dwelling' must underpin adaptation practices.
Elaine writes for anyone tired of fundraising appeals or looking to have more impact with their charitable giving dollar, using engaging dialogue to demonstrate charitable giving strategies available to Canadians today. As a financial planner, she is able to guide the reader through the maze of strategies and the tax and estate implications of each, to show how Canadians can achieve dramatic value for their charitable dollar. The story centres on Allison, 54, who has just nursed her mom through the final stages of cancer and is now considering the meaning of life and what legacy she might leave. Attending a class reunion, she joins long-time friends -- all of whom share a desire to make an i...
After years of submission, Mara is afraid and unsure about everything—especially her nephew, Jesus. When her neighbours chase him off a cliff, they force Mara into the unknown. Joanna grapples with hiding her biracial heritage or risking the loss of her husband and son. Becoming disciples of Jesus empowers them, but will opposition from the establishment endanger their lives?
This significant volume moves music-historical research in the direction of deconstructing the national grand narratives in music history, of challenging the national paradigm in methodology, and thinking anew about cultural traffic, cultural transfer and cosmopolitanism in the musical past. The chapters of this book confront, or subject to some kind of critique, assumptions about the importance of the national in the musical past. The emphasis, therefore, is not so much on how national culture has been constructed, or how national cultural institutions have influenced musical production, but, rather, on the way the national has been challenged by musical practices or audience reception.
The Ruin -- The Socialists' Cemetery -- The Church -- Concentration Camp Memorials -- The Artists' Cemetery.
This collection of essays, written by leading scholars in the fields of East German art, film, literature, music, and museum studies, seeks to renegotiate the artistic legacy of the German Democratic Republic. Combining a range of theoretical and practical perspectives, the volume challenges the narrow frameworks of totalitarianism and Ostalgie that have dominated discussions of art produced in the GDR. It explores the diversity of art produced in the state and contests the long-held perception that socialist realism and artistic innovation were mutually exclusive. Crucially, the collection puts art itself to the fore; GDR art is considered not simply as a political by-product, as is so often the case, but as an entity of innovation and aesthetic value in its own right.