Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Delirium of Praise
The laudatory essay, in which one author praises the work of another, is frequently characterized as an unimportant, even uncritical mode of writing. But as Eleanor Kaufman argues in The Delirium of Praise, this mode of exchange is serious and substantial enough to merit scholarly attention. By not conforming to standard practices of critical discourse, laudatory essays give new status to supposedly inferior forms of communication and states of being—including chatter, silence, sickness, imbalance, and absence of work—and emphasize affective states or emotions such as joy, friendship, and longing. The Delirium of Praise examines a group of five twentieth-century French intellectuals—Ge...
Deleuze, The Dark Precursor
A thoughtful and original analysis of the writings of influential French philosopher Gilles Deleuze. Gilles Deleuze is considered one of the most important French philosophers of the twentieth century. Eleanor Kaufman situates Deleuze in relation to others of his generation, such as Jean-Paul Sartre, Pierre Klossowski, Maurice Blanchot, and Claude Lévi-Strauss, and she engages the provocative readings of Deleuze by Alain Badiou and Slavoj Žižek. Deleuze, The Dark Precursor is organized around three themes that critically overlap: dialectic, structure, and being. Kaufman argues that Deleuze's work is deeply concerned with these concepts, even when he advocates for the seemingly opposite notions of univocity, nonsense, and becoming. By drawing on scholastic thought and reading somewhat against the grain, Kaufman suggests that these often-maligned themes allow for a nuanced, even positive reflection on apparently negative states of being, such as extreme inertia. This attention to the negative or minor category has implications that extend beyond philosophy and into feminist theory, film, American studies, anthropology, and architecture.
The Delirium of Praise
The laudatory essay, in which one author praises the work of another, is frequently characterized as an unimportant, even uncritical mode of writing. But as Eleanor Kaufman argues in The Delirium of Praise, this mode of exchange is serious and substantial enough to merit scholarly attention. By not conforming to standard practices of critical discourse, laudatory essays give new status to supposedly inferior forms of communication and states of being -- including chatter, silence, sickness, imbalance, and absence of work -- and emphasize affective states or emotions such as joy, friendship, and longing. The Delirium of Praise examines a group of five twentieth-century French intellectuals --...
Distributions of the Sensible
Jacques Rancière’s work is increasingly central to several debates across the humanities. Distributions of the Sensible confronts a question at the heart of his thought: How should we conceive the relationship between the “politics of aesthetics” and the “aesthetics of politics”? Specifically, the book explores the implications of Rancière’s rethinking of the relationship of aesthetic to political democracy from a wide range of critical perspectives. Distributions of the Sensible contains original essays by leading scholars on topics such as Rancière’s relation to political theory, critical theory, philosophical aesthetics, and film. The book concludes with a new essay by Rancière himself that reconsiders the practice of theory between aesthetics and politics.
Theology and the Political
The essays in Theology and the Political—written by some of the world’s foremost theologians, philosophers, and literary critics—analyze the ethics and consequences of human action. They explore the spiritual dimensions of ontology, considering the relationship between ontology and the political in light of the thought of figures ranging from Plato to Marx, Levinas to Derrida, and Augustine to Lacan. Together, the contributors challenge the belief that meaningful action is simply the successful assertion of will, that politics is ultimately reducible to “might makes right.” From a variety of perspectives, they suggest that grounding human action and politics in materialist critique...
Deleuze & Guattari
During their lives, Gilles Deleuze and Felix Guattari were two of France's most prominent thinkers, and their work continues to be a vital and influential part of critical theory. The essays in this collection, written by prominent scholars, offer a new approach to their work. Unique in its emphasis on Guattari, both in conjunction with Deleuze and independently, this volume features an essay by Deleuze himself and includes a comprehensive bibliography of Guattari's and Deleuze's work. The body of work explored here spans three decades and cuts across the lines of philosophy, political theory, geography, literature, aesthetics, and even the applied sciences. Readers unfamiliar with Deleuze a...
Deleuze, The Dark Precursor
Gilles Deleuze is considered one of the most important French philosophers of the twentieth century. Eleanor Kaufman situates Deleuze in relation to others of his generation, such as Jean-Paul Sartre, Pierre Klossowski, Maurice Blanchot, and Claude Lévi-Strauss, and she engages the provocative readings of Deleuze by Alain Badiou and Slavoj ?i?ek. Deleuze, The Dark Precursor is organized around three themes that critically overlap: dialectic, structure, and being. Kaufman argues that Deleuze's work is deeply concerned with these concepts, even when he advocates for the seemingly opposite notions of univocity, nonsense, and becoming. By drawing on scholastic thought and reading somewhat against the grain, Kaufman suggests that these often-maligned themes allow for a nuanced, even positive reflection on apparently negative states of being, such as extreme inertia. This attention to the negative or minor category has implications that extend beyond philosophy and into feminist theory, film, American studies, anthropology, and architecture.
Banners of Gold
The enchanting Alix of Wanthwaite returns in a suspenseful and richly textured adventure in which nothing less than the future of England is at stake. Alix is home at her beloved estate on the Scottish border when King Richard’s soldiers march into her castle and demand to take her to the Continent with them. King Richard has been captured while on Crusade, and Alix is among the nobles whose lives will be collateral for the king’s ransom. But when she’s delivered to Queen Eleanor of Aquitaine, Richard’s mother, she is dumbfounded to learn that the queen has other plans for her. King Richard needs an heir, Eleanor tells Alix. Repulsed by his queen, a homely religious fanatic, he has told his mother that the only woman he wants is the one he met on Crusade, when she was disguised as a boy. Richard wants Alix to be his mistress and the mother of the next Plantagenet king. Now a beguiling and irrepressible young woman, Alix faces more tribulations—and romance—on this trip to Europe, where affairs of the state and affairs of the heart are intricately intertwined.
Shall the Religious Inherit the Earth?
Dawkins and Hitchens have convinced many western intellectuals that secularism is the way forward. But most people don't read their books before deciding whether to be religious. Instead, they inherit their faith from their parents, who often innoculate them against the elegant arguments of secularists. And what no one has noticed is that far from declining, the religious are expanding their share of the population: in fact, the more religious people are, the more children they have. The cumulative effect of immigration from religious countries, and religious fertility will be to reverse the secularisation process in the West. Not only will the religious eventually triumph over the non-relig...
The Real Gaze
Winner of the 2008 Gradiva Award, Theoretical Category, presented by the National Association for the Advancement of Psychoanalysis The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenge the foundations of ideology. This book demonstrates several distinct cinematic forms that vary in terms of how the gaze functions within the films. Through a detailed investigation of directors such as Orson Welles, Claire Denis, Stanley Kubrick, Spike Lee, Federico Fellini, Ron Howard, Steven Spielberg, Andrei Tarkovsky, Wim Wenders, and David Lynch, McGowan explores the political, cultural, and existential ramifications of these differing roles of the gaze.
