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Latin Lyric and Elegiac Poetry
  • Language: en
  • Pages: 384

Latin Lyric and Elegiac Poetry

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

The Roman Elegiac Poets
  • Language: la
  • Pages: 428

The Roman Elegiac Poets

A classic college textbook containing a judicious selection from the whole field of Roman elegy, with introductory matter and English commentary. It helps the student obtain a general acquaintance with Roman elegiac poetry, and features the writings of Catullus, Tibullus, Propertius and Ovid.

Elegy
  • Language: en
  • Pages: 112

Elegy

  • Type: Book
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  • Published: 2007-10-16
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  • Publisher: Unknown

A collection of poems written by Mary Jo Bang in the year following the death of her son.

Latin Lyric and Elegiac Poetry
  • Language: en
  • Pages: 384

Latin Lyric and Elegiac Poetry

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Lost Loss in American Elegiac Poetry
  • Language: en
  • Pages: 235

Lost Loss in American Elegiac Poetry

Lost Loss in American Elegiac Poetry: Tracing Inaccessible Grief from Stevens to Post-9/11 examines contemporary literary expressions of losses that are “lost” on us, inquiring what it means to “lose” loss and what happens when dispossessory experiences go unacknowledged or become inaccessible. Toshiaki Komura analyzes a range of elegiac poetry that does not neatly align with conventional assumptions about the genre, including Wallace Stevens’s “The Owl in the Sarcophagus,” Sylvia Plath’s last poems, Elizabeth Bishop’s Geography III, Sharon Olds’s The Dead and the Living, Louise Glück’s Averno, and poems written after 9/11. What these poems reveal at the intersection of personal and communal mourning are the mechanism of cognitive myth-making involved in denied grief and its social and ethical implications. Engaging with an assortment of philosophical, psychoanalytic, and psychological theories, Lost Loss in American Elegiac Poetry elucidates how poetry gives shape to the vague despondency of unrecognized loss and what kind of phantomic effects these equivocal grieving experiences may create.

Traditional Elegy
  • Language: en
  • Pages: 169

Traditional Elegy

Though often assumed by scholars to be a product of traditional, and perhaps oral, compositional practices comparable to those found in early Greek epic, archaic elegy has not until this point been analyzed in similar detail with respect to such verse-making techniques. This volume is intended to redress some of this imbalance by exploring several issues related to the production of Greek elegiac poetry. By investigating elegy's metrical partitioning and its localizing patterns of repeated phraseology, Traditional Elegy makes clear that the oral-formulaic processes lying at the heart of Homeric epic bear close resemblance to those that also originally made archaic elegy possible. However, th...

Love Elegies
  • Language: en
  • Pages: 38

Love Elegies

  • Type: Book
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  • Published: 1743
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  • Publisher: Unknown

None

In the Flesh
  • Language: en
  • Pages: 353

In the Flesh

In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets—Propertius, Tibullus, and Ovid—writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change. Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse—mistresses, rivals, enslaved characters, overlooked members of households—their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.

Roman Propertius and the Reinvention of Elegy
  • Language: en
  • Pages: 284

Roman Propertius and the Reinvention of Elegy

Studies how Propertius transformed the elegiac form, using Callimachean style as a starting point

Greek Elegiac Poetry
  • Language: en
  • Pages: 520

Greek Elegiac Poetry

"This volume aims at providing a text and translation of the elegiac poets contained in the second edition of M.L. West's two volumes, 'Iambi et elegi Graeci' (Oxford 1989 and 1992). For various reasons, however, a number of poets have been omitted."--p. vii.