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Elizabeth Gaskell's Cranford
Tracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Recchio focuses especially the text's deployment in support of ideas related to nation and national identity on both sides of the Atlantic. Making extensive use of primary materials, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglocentric cultural project.
Claiming History
Although postcolonial studies has explored the historical influences and connections among literatures throughout the world, it has considered African writing unique. By looking at African novels--written in both French and English--of the colonial and postcolonial periods, Claiming History places African literature in its proper context within this field. Eleni Coundouriotis shows how historical narration not only "answers back" to Europe's colonialist legacy, but also serves as a complex form of dissent among Africans themselves.Exploring subjects such as human sacrifice as portrayed in the historical novels of René Maran, Chinua Achebe, Paul Hazoumé, Yambo Ouolguem, and Ben Okri, Coundo...
Hannah Arendt and the Challenge of Modernity
This volume examines contemporary debates on the foundations of human rights through the lens of Arendt's writings, showing how Arendt’s phenomenological standpoint, unique within these debates, is able to shed new light a number of problems within human rights theory.
Tragedy and Postcolonial Literature
Provides a new way of reading Western tragedy alongside texts from the postcolonial world so as to cross-illuminate each other.
Curating and Re-curating the American Wars in Vietnam and Iraq
We have long saved--and curated--objects from wars to commemorate the war experience. These objects appear at national museums and memorials and are often mentioned in war novels and memoirs. Through them we institutionalize narratives and memories of national identity, as well as international power and purpose. While people interpret war in different ways, and there is no ultimate authority on the experiences of any war, curators of war objects make different choices about what to display or write about, none of which are entirely problematic, good, or accurate. This book asks whose vantage points on war are made available, and where, for public consumption; it also questions whose war exp...
The Cambridge Companion to Human Rights and Literature
This Companion considers what theoretical and practical possibilities emerge at the crossroads of human rights and literature.
Runaway Genres
Winner, 2021 René Wellek Prize, given by the American Comparative Literature Association Winner, 2021 Barbara Perkins and George Perkins Award, given by the International Society for the Study of Narrative Honorable Mention, 2020 James Russell Lowell Prize, given by the Modern Language Association Argues that the slave narrative is a new world literary genre In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ng...
The World in a Grain of Sand
The World in a Grain of Sand offers a framework for reading literature from the global South that goes against the grain of dominant theories in cultural studies, especially, postcolonial theory. It critiques the valorization of the local in cultural theories typically accompanied by a rejection of universal categories - viewed as Eurocentric projections. But the privileging of the local usually amounts to an exercise in exoticization of the South. The book argues that the rejection of Eurocentric theories can be complemented by embracing another, richer and non-parochial form of universalism. Through readings of texts from India, Sri Lanka, Palestine and Egypt, the book shows that the fine grained engagement with culture, the mapping of ordinary lives not just as objects but subjects of their history, is embedded in much of postcolonial literature in a radical universalism - one that is rooted in local realities, but is able to unearth in them the needs, conflicts and desires that stretch across cultures and time. It is a universalism recognized by Marx and steeped in the spirit of anti-colonialism, but hostile to any whiff of exoticism.
Dracula
'it was butcher work...the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam' Bram Stoker's 1897 Gothic shocker introduced Count Dracula to the world, an ancient creature bent on bringing his contagion to London, the very heart of the British Empire. Only a handful of men and women stand between Dracula and his long-cherished goal, but they are vulnerable and weak against the cunning and supernatural powers of the Count and his legions. As the horrifying story unfolds in the diaries and letters of young Jonathan Harker, Lucy, Mina, and Dr Seward, Dracula will be victorious unless his nemesis Professor Van Helsing can persuade them that monsters...
Salman Rushdie
A collection of critical essays on Salman Rushdie's work.
