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Almost 1 Book, Almost 1 Life
Poetry. Fiction. Translated from the German by Rosmarie Waldrop. This volume contains almost all of Elfriede Czurda's first book and all of her second, Fast 1 Leben. Czurda comes out of the experimental Wiener Gruppe. She is especially fond of letting repetition and permutation shift words through their whole gamut of meanings and sometimes beyond. However, she is also not averse to thumbing her nose at any rigidities, even those of the experimental imperative. In ALMOST 1 LIFE (novella? politico-cultural satire?), the ruling avant-garde has licenced "monomania" as official language and punishes misuse by expelling the offender into reality. Which is where Czurda positions herself. She combines exploring language with exploring the social power structures embedded in it all with lots of fun and humor."
Crime and Criminal Justice in Modern Germany
The history of criminal justice in modern Germany has become a vibrant field of research, as demonstrated in this volume. Following an introductory survey, the twelve chapters examine major topics in the history of crime and criminal justice from Imperial Germany, through the Weimar and Nazi eras, to the early postwar years. These topics include case studies of criminal trials, the development of juvenile justice, and the efforts to reform the penal code, criminal procedure, and the prison system. The collection also reveals that the history of criminal justice has much to contribute to other areas of historical inquiry: it explores the changing relationship of criminal justice to psychiatry and social welfare, analyzes representations of crime and criminal justice in the media and literature, and uses the lens of criminal justice to illuminate German social history, gender history, and the history of sexuality.
German Feminist Queer Crime Fiction
A marriage of mystery fiction and queer concerns, queer crime literature celebrates the pairing of the political and the sexual. Queer crime fiction is a subgenre in which sex, gender and sexuality are among the mysteries to be solved. Its writers use boundary-crossing identities and desires to express social critique, inviting readers to interpret queer narratives as literary incursions into cultural traditions. From androgynous investigators and serial killer housewives to closeted lesbians and transgendered lovers, the characters in queer mysteries are metaphors for changing social and political relations. This book reads German-language crime stories as allegories about 20th- and 21st-ce...
Women in German Yearbook
"The only German literature journal that presents a coherently feminist perspective and that serves as a forum for feminist voices."_Susanne Zantop, Dartmouth College
Women in German Yearbook
Women in German Yearbook volume 13 opens with essays by Herta M_ller and Libuse Mon�kov¾. Karin Wurst probes Elise B_rger's Gothic imagination, Daniel Purdy analyzes Sophie Mereau's translations in relation to early Romantic aesthetics, and Lynne Tatlock finds evidence of an imagined German nation in the memoirs of Luise M_hlbach. Barbara Hyams casts new light on Leopold von Sacher-Masoch's attitudes toward Jews and women, David Brenner examines Vicki Baum's ambivalence about her Jewish heritage, and Katharina Gerstenberger discusses Wanda von Sacher-Masoch's confessions to demonstrate the contested position of the female autobiographer.Birgit Dahlke focuses on Elke Erb to explore why man...
Women in Independent Publishing
Women in Independent Publishing is a collection of interviews with and resources about women actively engaged in small-press publishing between the 1950s and the 1980s. The interviewees include Hettie Jones, Margaret Randall, Bernadette Mayer, and many others. The scope and range of the interviews showcase a variety of types of publishing possible within the small press community. These interviews illuminate the unifying and diverging elements between multiple publishing “scenes” and reveal their particularities and commonalities. Women in Independent Publishing is a timely and urgent documentation of literary history and reveals and celebrates the multifaceted roles of women editors and publishers and the communities they built. The book includes a critical introduction, an afterword by contemporary small-press publisher M. C. Hyland and a robust resources section that provides further paths for reading and literary recovery.
Recht und Kriminalität in literarischen Spiegelungen
Hauptbeschreibung Nach dem Band ""Recht und Kriminalität im literarischen Widerschein"", mit dem die Abteilung ""Recht in der Kunst - Kunst im Recht"" im Jahre 1999 eröffnet worden ist, liegt nunmehr unter ähnlichem Titel ein zweiter Band des Autors mit gesammelten Beiträgen zum Thema Recht und Literatur vor. Heinz Müller-Dietz, einer der Altmeister dieses Themenbereiches, spannt mit seinen 14 Beiträgen den Bogen von allgemeinen Problemstellungen wie ""Die Gerechtigkeit in der Literatur"" und ""Literarische Strafprozeßmodelle"" bis zu einzelnen literarischen Werken von Goethe, Heine.
The Rediscovered Writings of Veza Canetti
A fresh, nuanced view of Veza Canetti's literary career and its relationship to that of her famous husband. The Viennese playwright, novelist, and short-story writer Veza Canetti was born in 1897 into a mixed Sephardic-Ashkenazi Jewish family and died in 1963 in London. Part of the avant garde in 1920s Vienna (where she met her future husband and Nobel Prize winner, Elias Canetti), from 1932 she wrote radical short stories drawn from everyday life for the Vienna Arbeiter-Zeitung. After censorship under the so-called Corporate State reduced her opportunities for publication, she disguised her critique in irony and humor, but from then on published little. Until 1990, when her first novel, Yel...
