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“Cultura, história de vida e memória: lugares de enunciação”, trata de dar espaço aos discursos singulares da vida, das experiências e das subjetividades dos sujeitos participantes das pesquisas apresentadas nesta obra. Falar de memória e de história de vida é dar voz, muitas vezes, a fatos que perpassam as histórias ditas oficiais de cada sociedade ou espaço institucional.
"Reality does not comply with our narrations of it. And that is most certainly the case with the narrations produced in academia. An anthropologist in Bahia, Brazil, fears to become possessed by the spirits he had come to study; falls madly in love withan 'informant'; finds himself baffled by the sayings of a clairvoyant; and has to come to grips with the murder of one of his best friends. Unsettling events that do not belong to the orderly world of scientific research, yet leave their imprint on the way the anthropologist comes to understand the world. REflecting on his long research experience with the spirit possession cult Candomblâe, the author shows, in a probing manner, how definitions of reality always require the exclusion of certain perceptions, experiences and insights. And yet, this 'rest-of-what-is' turns out to be an inexhaustible source of amazement, seduction and renewal." --P [4] of cover.
Educai as crianças, para que não seja preciso punir os adultos Pitágoras Mente desocupada é oficina do Diabo Mateus 12:43-45 Nitimur in Vetitum (Lançamo-nos em direção ao proibido) Ovídio Cada dia a natureza produz o suficiente para nossa carência. Se cada um tomasse o que lhe fosse necessário, não havia pobreza no mundo e ninguém morreria de fome. Mahatma Gandhi
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The Latin American novel burst onto the international literary scene with the Boom era--led by Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, and Mario Vargas Llosa--and has influenced writers throughout the world ever since. García Márquez and Vargas Llosa each received the Nobel Prize in literature, and many of the best-known contemporary novelists are inspired by the region's fiction. Indeed, magical realism, the style associated with García Márquez, has left a profound imprint on African American, African, Asian, Anglophone Caribbean, and Latinx writers. Furthermore, post-Boom literature continues to garner interest, from the novels of Roberto Bolaño to the works of Cés...