You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
The collection of essays in The Social Ecology of Border Landscapes defi nes borders and borderlands to include territorial interfaces, marginal spaces (physical, sociological and psychological) and human consciousness. From theoretical and conceptual presentations on social ecology and its agencies and representations, to case studies and concrete projects and initiatives, the contributing authors uncover a thread of contemporary thought and action on this important emerging fi eld. The essays aim to defi ne the territories of social ecology, to investigate how social agencies can activate ecological processes and systems, and to understand how the interactions of people and ecosystems can create new sustainable landscapes across tangible and intangible territorial rifts.
A new perspective on post-war avant-garde music's engagement with records, highlighting the stereo technology that also fascinated popular music creators.
None
None
What can music teach a novelist, autobiographer, or playwright about the art of telling stories? The musical play of forms and sounds seems initially to have little to do with the representational function of the traditional narrative genres. Yet throughout the modernist era, music has been invoked as a model for narrative in its specifically mimetic dimension. Although modernist writers may conceive of musical communication in widely divergent ways, they have tended to agree on one crucial point: that music can help transform narrative into a medium better adapted to the representation of consciousness. Eric Prieto studies the twentieth-century evolution of this use of music, with particula...
During and after the two World Wars, a cohort of Caribbean authors migrated to the UK and France. Dissecting writers like Lamming, Césaire, and Glissant, McIntosh reveals how these Caribbean writers were pushed to represent themselves as authentic spokesmen for their people, coming to represent the concerns of the emigrant intellectual community.