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The Ego And Its Hyperstate
The Ego And Its Hyperstate is a unified theory of psychological and ethical egoism which posits self-interest. The dialectical dream theory sets its sights against capitalist notions of the self-interest contra the other, not simply with moralism, but with a more accurate analysis of the subject of self-interest than has been provided by capitalists and anarchist theorists alike. Through the lens of psychoanalysis and Hegelian dialectical logic, the process of self-interest as the ground of all human existence reveals itself. Eliot Rosenstock has a symptom he wants you to know about: he wants you to know how the nature of self-interest strikes through the notions of pure duty and state worship, he wants to bring in psychoanalyis and redeem dialectics in its power to reveal the universe rather than be a simple rhetorical tool, and he wants to reveal to you how the material conditions of the world, as well as psychological processes of mankind, work together to bring about all that is brought into the universe by humanity.
Žižek in the Clinic
Psychotherapist Eliot Rosenstock proposes a philosophical foundation for mental health treatment based on the writings and ideas of Slavoj Žižek. Žižek in the Clinic examines the state of the psychotherapy profession, capital motivated reductionist treatment modalities and a philosophy of liberation for the therapeutic subject. With the acceleration of technological advancement reminiscent of the machine gun’s implementation in World War One, the contemporary subject can be benefited by a working knowledge of their own psyche so as not to be pulled in the direction of anything that provides comfort and vague entertainment. Žižek's analysis and application of Lacanian theory is a nece...
The Gun, the Ship and the Pen
'If there were a Nobel Prize in History, Colley would be my nominee' Jill Lepore, New Yorker 'One of the most exciting historians of her generation, but also one of the most interesting writers of non-fiction around' - William Dalrymple, Guardian 'Colley takes you on intellectual journeys you wouldn't think to take on your own, and when you arrive you wonder that you never did it before' - David Aaronovitch, the Times 'A global history of remarkable depth, imagination and insight' Tony Barber, Financial Times Summer Books Starting not with the United States, but with the Corsican constitution of 1755, The Gun, the Ship, and the Pen moves through every continent, disrupting accepted narrative...
Chocolate Che
The poems in Chocolate Che were written in Cuba in the fiftieth year of the revolution; in India working with dying destitutes and recovering from tuberculosis; travelling up and down the spine of the Americas and into the heart of Europe on the trail of soldiers, artists and monks. Damian Furniss works images into narratives that are both darkly humorous and strangely moving. Using forms as varied as their subjects, with characteristic verbal intensity and a probing wit, he returns to the fixations of his youth in wry but reflective maturity. Along the way, he encounters the Dalai Lama and Mother Teresa; visits the houses of Pablo Picasso and Salvador Dalí, only to find no one's at home; and collects the stubs of cigars that might once have been smoked by Che Guevara and Fidel Castro, but probably weren't.
Foundations of Dialectical Psychology
Foundations of Dialectical Psychology is a compilation of the writings of Klaus F. Riegel on dialectical psychology. The book presents chapters discussing such topics as the dialectics of human development; history of dialectical psychology; temporal organization of dialogues; and the analysis of the concept of crisis and its underlying philosophical model and ideology. Psychologists and students will find the book invaluable.
The Ground Aslant
Recent years have seen the arrival of new approaches to writing about landscape. Partly to do with new eco-sensibilities, this is however also due to a realisation that landscape writing need not be confined to literary tourism, and to the injection of radical poetic styles. This is the first volume to engage with this new wave of writing.
The Ms of My Kin
Poetry. Explains Janet Holmes: "If you write out 'The Poems of Emily Dickinson' and erase some of the letters very neatly and precisely, you can get to THE MS OF M Y KIN—the manuscript of my kin, as it were; the manuscript of my family. It might also be said to be the manuscript of my kind." "If Ronald Johnson had an epic (Paradise Lost) to erase in creating his masterwork, RADI OS, then Janet Holmes has chosen a more difficult task, namely that of erasing from the most compressed poetry there is. Emily Dickinson's poems come to us so nearly pre-erased that their further erasure by Holmes dramatically frees instances of prophecy, voices from 1861-62 rediscovered in contemporary political discourse. It seems that the best of the embeds in Iraq was Emily Dickinson; read her reports from the (af)front here"—Susan M. Schultz.
Miracle of Mexico
Alfonso Reyes Ochoa (1889-1959) was a Mexican writer, philosopher and diplomat. This is the first major collection of his poetry in English. "A man for whom language has been all that language can be: sound and sign, inert trace and wizardry, a clockwork mechanism and a living thing." (Octavio Paz)
Interrogating the Real
Slavoj Žižek is one of the world's foremost cultural commentators: a prolific writer and thinker, whose vividly adventurous, unorthodox and wide-ranging writings have won him a unique place as one of the most high profile thinkers of our time. Covering psychoanalysis, philosophy and popular culture and drawing on a heady mix of Marxist politics, Hegelian dialectics and Lacanian psychoanalysis, the writings collected in Interrogating the Real reflect not only the remarkable extent of Žižek's varied interests, but also reveal his controversial and dynamic style.
Everything Awake
Everything Awake was written during a dreamy, disorienting period of insomnia. In the middle of the night, I began studying Catullus, imagining that his hendecasyllabic rhythms might shush me to sleep. Instead, they prompted a series of eleven-line poems with eleven syllables per line. I was drawn to the number, via Catullus, because it felt both excessive and insufficient, just like the space of an insomniac's day. Eleven opened up onto an expanse in which I could think about dwelling, in a day, at the foot of a wind-swept mountain, in a family of humans, animals and plants, all of whom needed my care. Like Catullus's neoteric poems, these poems attempt to bring the private, domestic space ...
