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Elis Saga ok Rosamundu
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Njáls Saga
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Sagas of Imagination: A Medieval Icelandic Reader
The Norse men and women who sailed to Iceland brought stories with them-stories of their lives and their ancestors, passed down for centuries, going back in time to great Vikings, legendary heroes, and even the ancient gods and goddesses. A new wave of stories entered with Christianity-stories of exotic lands and beasts, of saints and holy men facing demons and monsters. A third wave of stories came to Iceland via Norway, whose king had commissioned translations of tales of chivalry-of the courtly love of gallant knights and beautiful ladies. And all of these blended together in Iceland, creating swashbuckling sagas unlike any other medieval literature. This book presents eleven sagas and six shorter texts tracing the growth of these sagas of adventure, from Norse legends of King Half and Asmund Champion's Bane, to the life of the Apostle Bartholomew, to tales of Parceval and King Arthur, to the sagas of heroes like Vilmund the Outsider and Yngvar the Far-Traveler and Samson the Fair.
Elis Saga Ok Rosamundu
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sagas of Giants and Heroes
Huge in stature; living in far-distant wastelands; sometimes comically stupid or crude; but possessing vast wealth and knowledge-such are the giants of Norse myth and legend. Four Icelandic sagas and six tales, spanning five centuries, are brought together for the first time in all-new English translations. All tell of mighty giants, and of the heroes who dared to face them, fight them, and sometimes befriend them. The giants and trolls of old still live on in these legendary sagas of old times. These tales of epic voyages, wars, and romance will appeal to both scholars of Norse mythology and fans of Viking adventure. The sagas include the Saga of the Kjalarnes People, the Saga of Halfdan Brana's Fosterling, the Saga of Sorli the Strong, and the Saga of Illugi Grid's Fosterling. The six shorter tales are: the Tale of Halfdan the Black, the Tale of Hauk High-Breeches, the Tale of Jokul Buason, the Tale of Brindle-Cross, an excerpt from the Saga of the Fljotsdal People, and the Tale of Asmund Ogre-Lucky.
The Medieval Saga
Written in the thirteenth century, the Icelandic prose sagas, chronicling the lives of kings and commoners, give a dramatic account of the first century after the settlement of Iceland—the period from about 930 to 1050. To some extent these elaborate tales are written versions of traditional sagas passed down by word of mouth. How did they become the long and polished literary works that are still read today? The evolution of the written sagas is commonly regarded as an anomalous phenomenon, distinct from contemporary developments in European literature. In this groundbreaking study, Carol J. Clover challenges this view and relates the rise of imaginative prose in Iceland directly to the rise of imaginative prose on the Continent. Analyzing the narrative structure and composition of the sagas and comparing them with other medieval works, Clover shows that the Icelandic authors, using Continental models, owe the prose form of their writings, as well as some basic narrative strategies, to Latin historiography and to French romance.
The Academy
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