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In the Eye of the Storm
"Barcelona, the cultural epicenter of Catalunya, is presently experiencing the most dynamic and polemical period in its modern theater history. It is the commanding hub of an energetic theater scene that in recent years has witnessed an exuberant outpouring of new dramatists, a steady crescendo in theater attendance, and a continual increase in the international presence of Catalan directors, playwrights, and companies. Barcelona's post-Olympian cultural landscape, moreover, comprises several architecturally striking theater projects. The diversity of opportunities to stage plays in Catalan at an assortment of city spaces is unprecedented, ranging in variety from commercial locales to public...
Joglars 77
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The Creative Process of Els Joglars and Teatro de La Abadía
The rehearsal processes of theatre companies are an oft-neglected area of research in Drama and Performance Studies. This work on the Catalan devising collective Els Joglars and the Madrid producing venue Teatro de la Abad a seeks to redress the balance with a close analysis of methodologies employed in rehearsal. In effect, both companies have created distinctive rehearsal processes by applying ideas and techniques from a wider European context to a Spanish theatre scene which had been seen to follow rather than develop trends and techniques visible in theatre across France, Italy and Germany. Critically, their hybrid rehearsal processes generate heightened theatrical results for the audience. Thus the book shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product. Simon David Breden obtained a PhD in Drama & Hispanic Studies from Queen Mary, University of London. He has worked as a professional director and expert in Spanish theatre in London and Madrid.
Serra d'or
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Directoras en la historia del teatro español, 1550-2002: 1930-2002, A-L
El presente volumen es el resultado del trabajo de investigación desarrollado a lo largo de tres años en torno a la dirección de escena realizada por mujeres en España. Cerca de ochocientas directoras, con sus respectivas escenificaciones, componen el catálogo que encabeza el libro, que abarca desde mediados del siglo XVI hasta nuestros días. En el tercer tomo se realiza un estudio pormenorizado en forma de fichas, dedicado a cada una de las mujeres que han desarrollado sus espectáculos en el período comprendido entre 1930 a 2002, en los apellidos que van de las letras M a la Z.
El público
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Directoras en la historia del teatro español (1550-2002)
El presente volumen es el resultado del trabajo de investigación desarrollado a lo largo de tres años en torno a la dirección de escena realizada por mujeres en España. Cerca de ochocientas directoras, con sus respectivas escenificaciones, componen el catálogo que encabeza el libro, que abarca desde mediados del siglo XVI hasta nuestros días. En el tercer tomo se realiza un estudio pormenorizado en forma de fichas, dedicado a cada una de las mujeres que han desarrollado sus espectáculos en el período comprendido entre 1930 a 2002, en los apellidos que van de las letras M a la Z.
Editorial Made in Spain
The works chosen for publication are all of a quality that defies duplication and the categories are extremely diverse: newspapers, magazines, advertising year books, art books, poetry books, photography books, corporate publication, literary books and much more. Each has been chosen for its unique execution in print, ease of reading, ease of use, and as an example of the extraordinary print work currently being produced in Spain. Titles featured include Flors by Kim Castells; Epifania by Marcel-Li Antunez Roca; and Morilla & Associates, Packaging & Corporate Identity. Made in Spain 03 - Editorial is an invaluable reference book for all those involved in the publishing industry in a creative or editorial capacity.
