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Music, Criticism, and the Challenge of History
More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten begin...
Making Peace in an Age of War
This English-language translation of Mark Hengerer's Kaiser Ferdinand III: 1608–1657 Eine Biographie is based on an analysis of the weekly reports sent by the papal nuncio’s office to the Vatican. These reports give detailed information about the daily whereabouts of the dynasty, courtiers, and foreign visitors, and they contain the gossip of the court in addition to weekly analysis of some political problems. This material enabled the author to report on daily life of the dynasty and to analyze the circumstances under which policy was made, which has led to a balance between the personality of Ferdinand III and the problems with which he dealt. In this biography, Hengerer provides answers to the question: Why did it take the emperor more than ten years to end a devastating war, the traumatizing effects of which on central Europe lasted into the twentieth century, particularly since there was no hope of victory against his foreign adversaries from the very moment he came into power?
Marija Terezija
Monografija o Mariji Tereziji se pridružuje številnim obeležitvam 300. obletnice rojstva cesarice Marije Terezije, ki so potekale v letu 2017. Vladarica je bila v preteklosti pogosto objekt znanstvenega raziskovanja, a večinoma v tujem zgodovinopisju. Slovensko zgodovinopisje se je do sedaj z njenim življenjem in vladanjem ukvarjalo sorazmerno malo. Pričujoča monografija tako prinaša številne nove ugotovitve in nove poglede na Marijo Terezijo in njeno dobo. Pri monografiji je sodelovalo več kot dvajset priznanih raziskovalcev, večinoma iz Slovenije, nekaj pa tudi iz tujine. Izhodišče prispevkov je slovenski prostor in vplivi cesaričnih reform nanj. Te reforme so bile korenite, temeljite in dolgoročne, kar pomeni, da njihove učinke čutimo še danes, čeprav se tega morda ne zavedamo. Druga rdeča nit monografije pa je ohranjanje spomina na Marijo Terezijo na Slovenskem kot tudi v njenih nekdanjih deželah, ki so danes samostojne države (Avstrija, Madžarska, Hrvaška in Češka). Monografija je napisana pretežno v slovenskem jeziku, medtem ko so prispevki tujih avtorjev v tujem jeziku (nemško, angleško, italijansko in hrvaško) z daljšim slovenskim povzetkom.
Music in Vienna 1700, 1800, 1900
Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between music and society that existed in each of these periods to be distinguished
Projecting Imperial Power
The nineteenth century is notable for its newly proclaimed emperors, from Franz I of Austria and Napoleon I in 1804 through Agustin and Pedro, the emperors of Mexico and Brazil in 1822 to Victoria, empress of India in 1876. Monarchs such as Napoleon III, Maximilian of Mexico, and Wilhelm Iprojected an imperial aura with coronations, courts, medals, costumes, portraits, monuments, international exhibitions, festivals, architecture, and town planning. They relied on ancient history for legitimacy whilst partially espousing modernity. Projecting Imperial Power is the first book toconsider newly proclaimed emperors in six territories across three continents across the whole range of the nineteen...
German Modernism
In this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later 1870s through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as their less familiar contemporaries Eugen d'Albert, Hans Pfitzner, Max Reger, Max von Schillings, and Franz Schreker. Frisch ex...
Anton Bruckner and the Reception of His Music
A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner. Bruckner was, and continues to be, among the most divisive figures in the history of nineteenth-century music, in large part owing to the complexities and contradictions of his personality and the amalgam of differing stylistic features that characterize his musical language. Miguel J. Ramirez's insightful book scrutinizes the stereotypes about Bruckner's personality that loom large in the public imagination, the controversial editorial policies behind the publication of his collected works, and the trends in the ...
The Oxford Handbook of the New Cultural History of Music
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.
Bruckner's Fourth
Bruckner's Fourth: The Biography of a Symphony is a detailed account of the music and history of the most well-known symphony by the great Austrian composer Anton Bruckner (1824-1896). This book presents the first accurate, complete account of the history of this symphony based on extensive new research and critical analysis.
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