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The Presence of God in the Works of William Wordsworth
Approaching Wordsworth’ writings from perspectives which have not been considered in critical literature, this book offers a multiangled reflection on the technicalities of the poet’s religious discourse, including the methodology of The Prelude revision, or Wordsworth’s patent art of "pious postscripts." The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with The Absent God in The Works of William Wordsworth, whose six chapters follow this book’s eight chapters like a sestet which complements the octave—becoming, thus, a tribute to Wordsworth as one of the most prolific sonneteers in history. Both monographs build their theses on Wordsworth’s entire oeuvre and embrace the whole of his wide lifespan. Their completion in 2020 coincides with several round anniversaries: the 250th anniversary of Wordsworth’s birth, the 200th anniversary of The River Duddon, and the 170th anniversary of the publication of his autobiographical masterpiece, The Prelude.
The Absent God in the Works of William Wordsworth
Called by one of its reviewers "Wordsworth’s biographia literaria," this book takes its reader on a fascinating journey into the mind of the poet whose attitude to God and religion points to a major shift in Western culture. The monograph probes the philosophical foundations of Wordsworth’s religious outlook, drawing attention to this First Generation Romantic poet as the author who happened to record in his verse the rise to prominence of some of the intellectual and spiritual challenges and the most troublesome uncertainties that have defined Western man ever since. The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with the companion volume, The Presence of God in the Works of William Wordsworth. These two works can be regarded as contraries—or negatives: one offering an ironically positive reading of Wordsworth’s religious discourse, the other offering a reading which is positively negative.
But He Talked of the Temple of Man’s Body
Starting with Locke’s philosophy of language, which turns words into bricks and uses them to build a rigid system of science and morality, this book is a response to Blake’s un-Lockian thought through an analysis of his linguistic practices. It is an attempt to understand why Blake says what he says the way he does. While being a study of Blake’s poetics, the book is at the same time a poetic study that never attempts to translate poetry into prose. It reads like a narrative, telling of an effort to build, an attempt to destroy, and then rebuild again. Primarily aimed at Blake readers, it will also interest those interested in Enlightenment and Romanticism, as well as students of art, religion or philosophy. And, since Blake’s criticism of Locke is in fact Blake’s criticism of the main assumptions of modernity, the book should prove a stimulating experience to all those who do not mind looking at the reality from some critical distance.
Romantic Futures
Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion, and cultural theory to future studies, neuroscience, video games, and art history. Aiming to increase and diversify current critical engagement and highlight the contemporary relevance of the Romantics’ multivalent preoccupation with the future, this collection renews the dialogue between Romanticism and our critical relation to its contemporaneity, especially as it speaks to current understandings of the future in the sciences, arts, and humanities.
Robert Pollok’s The Course of Time and Literary Theodicy in the Romantic Age
This book explores the contexts and reception history of Robert Pollok’s religious epic The Course of Time (1827), one of the best- selling long poems of the nineteenth century, which has been almost entirely forgotten today. Widely read in the United States and across the British Empire, the poem’s combination of evangelical Calvinism, High Romanticism, and native Scottishness proved irresistible to many readers. This monograph traces the poem’s origins as a defense of Biblical authority, divine providence, and religious orthodoxy (against figures like Byron and Joseph Priestley) and explores the reasons for The Course of Time’s enormous, decades- long popularity and later precipito...
Dante and Polish Writers
Dante and Polish Writers: From Romanticism to the Present explores the phenomenon of Polish Danteism from a hermeneutic perspective. The chapters shed light on a series of “encounters” of eminent Polish writers with Dante and the Divine Comedy, resulting in original interpretations, creative reworkings, and a wealth of intertextual references testifying to a dialogue that has always been – and still is - alive, not excluding antagonism and bitter controversy. The contributors are all scholars of Polish literature with comparative expertise, teaching in Italian and Polish universities, which ensures a consistently focused point of view on the receptive context and the ways in which it is affected by the confrontation with Dante. The hermeneutic horizon ranges from the Inferno-like reading of the inhuman lands with which history abounds, to the metaphysical yearning underlying Dante’s “poetics of transhumanizing,” to recent perspectives related to the posthuman and storytelling.
Translating Myth
Ever since Odysseus heard tales of his own exploits being retold among strangers, audiences and readers have been alive to the complications and questions arising from the translation of myth. How are myths taken and carried over into new languages, new civilizations, or new media? An international group of scholars is gathered in this volume to present diverse but connected case studies which address the artistic and political implications of the changing condition of myth – this most primal and malleable of forms. ‘Translation’ is treated broadly to encompass not only literary translation, but also the transfer of myth across cultures and epochs. In an age when the spiritual world is in crisis, Translating Myth constitutes a timely exploration of myth’s endurance, and represents a consolidation of the status of myth studies as a discipline in its own right.
William Blake’s Divine Love
Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory ‘Argument,’ there are several contentious moments in the poem which continue to cause debate. Critics read Oothoon’s call to Theotormon’s eagles and her offer to catch girls of silver and gold as either evidence of her rape-damaged psyche or confirmation of her selfless love which transcends her socio-sexual state. How do we reconcile the attack of Theotormon’s eagles and the wanton play of the girls with Oothoon’s articulate and highly sophisticated expressions of spiritual truth and free love? In William Blake’s Divine Love: Visions of Ooth...
A Biographical Dictionary of Women's Movements and Feminisms
This Biographical Dictionary describes the lives, works and aspirations of more than 150 women and men who were active in, or part of, women’s movements and feminisms in Central, Eastern and South Eastern Europe. Thus, it challenges the widely held belief that there was no historical feminism in this part of Europe. These innovative and often moving biographical portraits not only show that feminists existed here, but also that they were widespread and diverse, and included Romanian princesses, Serbian philosophers and peasants, Latvian and Slovakian novelists, Albanian teachers, Hungarian Christian social workers and activists of the Catholic women’s movement, Austrian factory workers, ...
Hope: A Literary History
Compelling treatment of a question pervading literature from antiquity: when is hope a good thing and when is it not?
