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"Elizabeth A. Waraksa examines the ceramic female figurines excavated by John Hopkins at the Precinct of Mut in Luxor, Egypt between 2001 and 2004. The figurines date from the New Kingdom to the Late Period (ca. 1550-332 BCE). Ceramic figurines are frequently overlooked by archaeologists, art historians, and social historians because the lack the aesthetic qualities usually associated wit Egyptian art. However, the Hopkins-excavated figurines display features that mark them as standardized ritual objects. Waraksa argues that ceramic female figurines were produced in Workshops, utilized by magician/physicians in healing rituals, and regularly snapped and discarded at the end of their effective "lives". This is a new, broader interpretation for objects that have previously been considered as toys, dolly, concubine figures, and - most recently - votive "fertility figurines"."--Publisher's website
Employing an engaging question-and-answer format, The Arab Uprisings explores the revolutionary protests that have rocked the Arab world since late 2010. In this updated and revised second edition, James L. Gelvin explores the varied paths taken by the uprisings and assesses their historical and global significance. Gelvin begins with an overview-What were the conditions in the Arab world that led to the uprisings? Where did the demands for human and democratic rights and social and economic justice come from?-before turning to specific countries in the region. He examines how the long history of state-building in Tunisia and Egypt ultimately determined the paths taken by uprisings there. He...
Were there figurines in Yehud during the Achaemenid period, and in particular in Jerusalem? A positive answer to this question disproves the general consensus about the absence of figurines in Yehud, which is built on the assumption that the figurines excavated in Judah/Yehud are chronologically indicative for Iron Age II in this area (aside from a few typological exceptions). Ephraim Stern and others have taken this alleged absence of figurines as indicative of Jewish monotheism's rise. Izaak J. de Hulster refutes this `no figurines -> monotheism' paradigm by detailed study of the figurines from Yigal Shiloh's excavation in the 'City of David' (especially their contexts in Stratum 9), providing ample evidence for the presence of figurines in post-587/586 Jerusalem. The author further reflects on the paradigm's premises in archaeology, history, the history of religion, theology, and biblical studies, and particularly in coroplastics (figurine studies).
This book investigates Hellenistic popular religion through an interdisciplinary study of terracotta figurines of Egyptian deities, mostly from domestic contexts, from the trading port of Delos. A comparison of the figurines’ iconography to parallels in Egyptian religious texts, temple reliefs, and ritual objects suggests that many figurines depict deities or rituals associated with Egyptian festivals. An analysis of the objects’ clay fabrics and manufacturing techniques indicates that most were made on Delos. Additionally, archival research on unpublished notes from early excavations reveals new data on many figurines’ archaeological contexts, illuminating their roles in both domestic and temple cults. The results offer a new perspective on Hellenistic reinterpretations of Egyptian religion, as well as the relationship between “popular” and “official” cults.
California State University, San Bernardino opened in 1965 in San Bernardino. This chronological history records the major and minor developments in the history of the campus, between 1960, when it was created by the California Legislature, to the end of the 2009/10 academic year. Includes tables of major administrators, plus a detailed index.
"This book is a study of the woman-and-child motif as it appeared in the Bronze Age eastern Mediterranean, focusing on Egypt, the Levant, Anatolia, Mesopotamia, Iran, Cyprus, and the Aegean. Rather than being a universal symbol of maternity, or a depiction of a mother goddess, the woman-and-child motif, called by the technical name kourotrophos, was relatively rare in comparison with other images of women in antiquity, and served a number of different symbolic functions, ranging from honoring the king of Egypt to giving extra oomph to magical spells"--Provided by publisher.
This volume brings together thirteen studies by as many experts in the study of one or more ancient or medieval magical traditions, from ancient Mesopotamia and Pharaonic and Greco-Roman Egypt to the Greek world, Judaism, Christianity and Islam. It lays special emphasis on the recurrence of similar phenomena in magical texts as far apart as the Akkadian cuneiform tablets and an Arabic manuscript bought in Egypt in the late-twentieth century. Such similarities demonstrate to what extent many different cultures share a “magical logic” which is strikingly identical, and in particular they show the recurrence of certain phenomena when magical practices are transmitted in written form and often preserve, adopt and adapt much older textual units. Contributors include: Tzvi Abusch, Joachim Friedrich Quack, Jacco Dieleman, Fritz Graf, Christopher Faraone, Ithamar Gruenwald, Shaul Shaked, Dan Levene, Kocku von Stuckrad, Reimund Leicht, Yuval Harari, Gideon Bohak, and Alexander Fodor.
This interdisciplinary volume is a ‘one-stop location’ for the most up-to-date scholarship on Southern Levantine figurines in the Iron Age. The essays address terracotta figurines attested in the Southern Levant from the Iron Age through the Persian Period (1200–333 BCE). The volume deals with the iconography, typology, and find context of female, male, animal, and furniture figurines and discusses their production, appearance, and provenance, including their identification and religious functions. While giving priority to figurines originating from Phoenicia, Philistia, Jordan, and Israel/Palestine, the volume explores the influences of Egyptian, Anatolian, Mesopotamian, and Mediterranean (particularly Cypriot) iconography on Levantine pictorial material.
The wealth of documentary sources preserved by Egypt's papyri makes the country a privileged observation ground for the study of ancient multilingualism. Papyri capture more linguistic registers than other ancient and medieval sources, ranging as they do from very private documents not meant by their author to be read by future generations, to official documents produced by the administration, which are preserved in their original form. This collection of essays aims to make this wealth better known, as well as to give a diachronic view of multilingual practices in Egypt from the arrival of the Greeks as a political force in the country with Alexander the Great, to the beginnings of Abbasid rule when Greek, and slowly also Coptic, receded from the documentary record.
English summary: This collection of articles has two aims: The first is to create a comprehensive compendium of iconography on GilgameU. It includes reprints of three formerly published articles by Ruth Opificius (1970), Wilfred G. Lambert (1987) and Dominique Collon (2002). The second aim is to publish some objects of Near Eastern art from the Bible+Orient Collection in Fribourg, which relate to GilgameU. Seven new papers deal with the visual representation of GilgameU. Two of them discuss terracotta plaques and cylinder seals from the Bible+Orient Collection. The terms iconography and iconology have often been used loosely. In order to understand which method the authors of this book apply...