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The lifetime work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography's masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans and Weegee. Now, for the first time, Vivian Maier: Self-Portrait will present the fullest and most intimate portrait of the artist herself with approximately 60 never-before-seen black-and-white and colour self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier.
Between freedom and ostracism: The world of the Irish Traveller Children
The Archive of Hugh Mangum
A stunning career retrospective of Mona Kuhn, one of the leading figures in contemporary art photography. Mona Kuhn is one of the most respected contemporary photographers of her time, best known for her large-scale photographs of the human form. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and bucolic settings to evoke a sublime sense of comfort between the human figu...
Terugblik op de reis die de Amerikaanse fotograaf in 1979 door het westen van de V.S. maakte, en die leidde tot de fototentoonstelling 'In the American West' in 1985.
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"Photographing strangers on the street is like having an epic novel read aloud to you, only it's real. You're connected. You're involved. And you carry every piece of it with you from then on."--Amy Touchette A resident of New York City since 1997, Amy Touchette started photographing people in Bedford-Stuyvesant, Brooklyn, soon after moving to the neighborhood in 2015. Perhaps best known for being the childhood home of rapper Jay-Z and the setting of Spike Lee's film Do the Right Thing, what struck Touchette most about Bed-Stuy was its strong sense of community and the relationships that underpin it. Using a Rolleiflex film camera, friends, family members, and couples often caught her eye. K...
“Wise and ebullient . . . . Gefter takes the reader inside so many of Avedon’s photo shoots, and so deftly explicates his work, that you’re thirsty to sate your eyes with Avedon’s actual images . . . . One of the achievements of Gefter’s biography is to argue persuasively for Avedon’s place, as a maker of portraits, as one of the 20th century’s most consequential artists.” — Dwight Garner, New York Times "Gefter weaves the particulars of Avedon’s life story into a larger narrative about American culture in the decades after World War II . . . . Read in the context of our own precarious political and ecological moment, this assessment alone argues eloquently for the abidin...
"My camera and I, together we have the power to confer or to take away." --Richard Avedon "They always say time changes things, but you actually have to change them yourself." --Andy Warhol Artists Richard Avedon (1923-2004) and Andy Warhol (1928-1987) came to prominence in a time of profound change around the world. Amid that political and social upheaval, both men became renowned for their work, elucidating themes of portraiture, celebrity, gender, politics, and religion. Avedon brought the personality of the sitter to the forefront, revealing his subjects' inner selves. Warhol created por- traits and images that were emotionally opaque, glamorous and impersonal. Avedon and Warhol knew one another, and each had an abiding belief in the power of the image to seduce, amuse, and shock . They created original visions of the world around them, becoming two of the most influential artists of the 20th century. This book, published by Gagosian Gallery, accompanies an exhibition at Gagosian, Britannia Street, London, Feb 9-April 23, 2016.
Since its inception in the 1970s, hip hop music and the culture surrounding it has become a hugely influential and popular musical form in America and around the world. Its popularity extends beyond the urban centers where it was born, and pervades and influences youth culture around the globe. However, few artists have created serious and powerful photographs that explore the breadth of the phenomenon. With this volume, David Scheinbaum has done just that. His portraits of Erykah Badu, Chuck D., George Clinton, Common, Mos Def, Del-Tha Funkee Homosapien, Sage Francis, Professor Griff, KRS One, Mike Relm, Tajai, Wu-Tang Clan and Yelawolf (among others) approach hip hop as a positive cultural influence akin to the youth movement of the 1960s. Scheinbaum's photographs are accompanied by essays by Gaye Theresa Johnson and Michael Eric Dyson, an artist conversation with Frank H. Goodyear III and an introduction by Brian Hardgroove of Public Enemy.