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Women's Work: The First 20,000 Years Women, Cloth, and Society in Early Times
"A fascinating history of…[a craft] that preceded and made possible civilization itself." —New York Times Book Review New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies. Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women. Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture. Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion. In a "brilliantly original book" (Katha Pollitt, Washington Post Book World), she argues that women were a powerful economic force in the ancient world, with their own industry: fabric.
Shaping Natural History and Settler Society
This book explores the life and work of Mary Elizabeth Barber, a British-born settler scientist who lived in the Cape during the nineteenth century. It provides a lens into a range of subjects within the history of knowledge and science, gender and social history, postcolonial, critical heritage and archival studies. The book examines the international importance of the life and works of a marginalized scientist, the instrumentalisation of science to settlers' political concerns and reveals the pivotal but largely silenced contribution of indigenous African experts. Including a variety of material, visual and textual sources, this study explores how these artefacts are archived and displayed in museums and critically analyses their content and silences. The book traces Barber’s legacy across three continents in collections and archives, offering insights into the politics of memory and history-making. At the same time, it forges a nuanced argument, incorporating study of the North and South, the history of science and social history, and the past and the present.
When They Severed Earth from Sky
Why were Prometheus and Loki envisioned as chained to rocks? What was the Golden Calf? Why are mirrors believed to carry bad luck? This groundbreaking book points the way to restoring some of that lost history and teaching about storytelling.
Prehistoric Textiles
This monograph attempts to revise present ideas of the origins and early development of textiles in Europe and the Near East. Using linguistic techniques as well as methods from palaeobiology, it demonstrates that spinning and pattern-weaving existed far earlier than has been supposed.
Elizabeth's New Life
The story is a sequel to "The Four Elizabeths" and tells how the women convicts of the First Fleet in 1788, fought to survive in what is now, Australia. The convicts and prostitutes, knew nothing about their destination, except it was the other side of the world. But they hadn't expected the totally undeveloped country, nor that the men would have to spend the first two weeks erecting tents and temporary buildings. The day the women were allowed onshore, there was sexual debauchery and mayhem, but Elizabeth Powley, the original gang-leader, had no intention of joining in, knowing she was pregnant. The father may have been the Irish convict she'd loved before he died, or the Captain of Marines she'd seduced in his cabin. That first year in the new country proved to be full of challenge, danger, and trauma for all, including Elizabeth Powley, as trouble followed her, defying her to achieve the happiness she so longed for.
Perfect Victim
One night in March 1999, fifteen-year-old dance student Rachel Elizabeth Barber vanished. No one could have guessed that she had become another girl's 'perfect' victim. Happy. Beautiful. Talented. She had everything her killer could want. Perceived by crime experts everywhere as one of the most bizarre homicides they had encountered, Perfect Victim recounts two stories: Rachel's mother Elizabeth Southall tells of her family's heart-rendering experience – how they lived through unimaginable tragedy, going to extraordinary lengths to prove their daughter wasn't a runaway. Criminal court reporter Megan Norris provides another side of the picture; the analysis, the astonishment of professionals when faced with the killer's weird and unsettling letters, and the police proceedings that led, eventually, to the Rachel Barber case being solved. Confronting and compelling, this is an incredible story about a callous and calculated crime. Also available from Foxtel Movies as 'In Her Skin' starring Guy Pearce, Miranda Otto and Sam Neill.
Perfect Victim
Called the "sex slave", and "the girl in the box" case, this is the story behind Colleen Stan's terrifying, seven-year-long imprisonment by Cameron Hooker as told by the district attorney who tried the case. Too bizarre to be anythin g but true, it is a tale of riveting intensity and gripping courtroom drama. 8 page photo insert. Soon to be a TV miniseries.
The Dancing Goddesses: Folklore, Archaeology, and the Origins of European Dance
A fascinating exploration of an ancient system of beliefs and its links to the evolution of dance. From Southern Greece to northern Russia, people living in agrarian communities have long believed in “dancing goddesses,” mystical female spirits who spend their nights and days dancing in the fields and forests. In The Dancing Goddesses, archaeologist, linguist, and lifelong folkdancer Elizabeth Wayland Barber follows the trail of these spirit maidens—long associated with fertility, marriage customs, and domestic pursuits—from their early appearance in traditional folktales and harvest rituals to their more recent incarnations in fairytales and present-day dance. Illustrated with photographs, maps, and line drawings, the result is a brilliantly original work that stands at the intersection of archaeology and folk traditions—at once a rich portrait of our rich agrarian ancestry and an enchanting reminder of the human need to dance.
