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Edited collection of Elizabeth Siddall's extant poems, including critical analysis, biographical commentary, and contextual material. Also features illustrations, some by Siddall herself.
Discover the poignant and powerful voice of a forgotten Victorian poet in The (Mostly) Complete Poems of Elizabeth Eleanor Siddal. This beautifully produced hardback volume is the first popular edition to bring together all fifteen known, complete poems of Siddal (1829-1862), a significant figure in the Pre-Raphaelite Brotherhood who never saw her work published during her lifetime. Key Features: - Format and Size: This pocket-sized edition measures 4.15 x 5.8 inches, making it perfect for carrying everywhere in your purse, camera bag, or jacket pocket. - Victorian Elegance: The book features a debossed cover with gold foil lettering, harkening back to the beautiful books of the Victorian era. - Comprehensive Collection: Includes all fifteen known poems of Elizabeth Siddal, giving her words the space and attention they deserve to be appreciated. - Insightful Essay: Features an essay by award-winning writer and photographer Kyle Cassidy, who brought these poems together for this edition. - Companion Volume: Published as a companion to This is Only Earth, My Dear, a collection of photographs inspired by Siddal's poetry by Trillian Stars and Kyle Cassidy.
The supermodel did not arrive when Twiggy first donned false eyelashes; the concept began more than 100 years previously, with a young artists' model whose face captivated a generation. Saved from the drudgery of a working-class existence by a young Pre-Raphaelite artist, Lizzie Siddal rose to become one of the most famous faces in Victorian Britain and a pivotal figure of London's artistic world, until tragically ending her young life in a laudanum-soaked suicide in 1862. In the twenty-first century, even those who do not know her name always recognise her face: she is Millais's doomed Ophelia and Rossetti's beatified Beatrice. With many parallels in the modern-day world of art and fashion, this biography takes Lizzie from the background of Dante Rossetti's life and, finally, brings her to the forefront of her own.
The group of young painters and writers who coalesced into the Pre-Raphaelite movement in the middle years of the nineteenth century became hugely influential in the development not only of literature and painting, but also more generally of art and design. Though their reputation has fluctuated over the years, their achievements are now recognised and their style enjoyed and studied widely. This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones. This is the first book to provide a general introduction to the Pre-Raphaelite movement that integrates its literary and visual art forms. The Companion explains what made the Pre-Raphaelite style unique in painting, poetry, drawing and prose.
In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me", culture uses art to dream the deaths of beautiful women.
A ground breaking new book that considers all Siddal poems with reference to female and primarily male counterparts, adding substantially to knowledge of her work as a writer, and their shared contemporary concerns. Dante Rossetti, Swinburne, Tennyson, Ruskin and Keats were either known to her or a source of influence on the Pre-Raphaelite Brotherhood with which she was associated, and certain of their texts are compared with hers to discuss interplay between erotic and spiritual love, the ballad tradition, nineteenth-century feminism, and the Romantic concept of the conjoined physical and spectral body. Siddal’s artwork is used to introduce each chapter, while other Pre-Raphaelite paintings illuminate the texts and further the inter-disciplinary philosophy of the Brotherhood. This important and stimulating book focuses on the intrinsic merit of Siddal’s poetics whilst advocating a research method that could have multiple applications elsewhere.
The poetry of Christina Rossetti is often described as ‘gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from ‘Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes.
Pre-RaphaeliteGirl Gang willintroduce readers of all ages to the remarkable women of the Pre-Raphaelite artmovement which began in the second half of the nineteenth century and continuedthrough the early part of the twentieth. From models to artists, these womenall contributed something personal and incredible towards the most beautifuland imaginative art movement in the world. From duchesses to poor laundresses,each woman has a story to tell and a unique viewpoint on art no matter theirage, status or background. Rich or poor, black or white, these women redefinedwhat it meant to be beautiful and influential in a male-dominated world andbroke new ground in art, business and women's rights to pursue the life theyloved. Spanning almost a century and uncovering the truth behind some familiarand less familiar faces, this collection will offer new information to readersalready interested in Pre-Raphaelite art and open the doors on an enchantingand revolutionary band of women who are unlikely and compelling role models.Artists, sculptors, inventors, models, wives, sisters and muses, all provideinspiration for ground-breakers and trouble-makers today.