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Elizabeth Ferry explores how members of the Santa Fe Cooperative, a silver mine in Mexico, give meaning to their labor in an era of rampant globalization. She analyzes the cooperative's practices and the importance of patrimonio (patrimony) in their understanding of work, tradition, and community. More specifically, she argues that patrimonio, a belief that certain resources are inalienable possessions of a local collective passed down to subsequent generations, has shaped and sustained the cooperative's sense of identity.
Oil is running out. What's more, its final depletion, once relegated to a misty future, now seems imminent. In all the more or less apocalyptic discussions of oil and similar depleted resources, nature, labor, and time converge. This volume focuses on how resources, resource-making, and resource-claiming are entangled with experiences of time. Particular expressions of "resource imaginations" often have a strongly temporal aspect: they frame the past, present, and future in certain ways; they propose or preclude certain kinds of time reckoning; they inscribe teleologies; they are imbued with affects of time: nostalgia, hope, dread, spontaneity, and so on. Examining resources as various as si...
Elizabeth Emma Ferry traces the movement of minerals as they circulate from Mexican mines to markets, museums, and private collections on both sides of the US-Mexico border. She describes how and why these byproducts of ore mining come to be valued by people in various walks of life as scientific specimens, religious offerings, works of art, and luxury collectibles. The story of mineral exploration and trade defines a variegated transnational space, shedding new light on the complex relationship between these two countries and on the process of making value itself.
More than one million Indians travel annually to work in oil projects in the Gulf, one of the few international destinations where men without formal education can find lucrative employment. Between Dreams and Ghosts follows their migration, taking readers to sites in India, the United Arab Emirates, and Kuwait, from villages to oilfields and back again. Engaging all parties involved—the migrants themselves, the recruiting agencies that place them, the government bureaucrats that regulate their emigration, and the corporations that hire them—Andrea Wright examines labor migration as a social process as it reshapes global capitalism. With this book, Wright demonstrates how migration is de...
This interdisciplinary collection explores the relationships between women and built space in England between the 1870s and the 1940s. Historians working in cultural, literary, architectural, urban, design, labour, and social history approach the topic through case studies of often neglected organisations, individuals, practices and initiatives. Included are East End rent collectors, tenants, diarists and correspondents, the All-Europe House, the Women's Co-operative Guild, the Housewives Committee of the Council of Industrial Design, provincial and metropolitan exhibitors, and activists of varying kinds. Moving beyond the study of buildings and their designers, the volume considers the making of space in its broadest sense, from the production of discourses to the consumption of domestic appliances and the performance of roles as diverse as social reformers, committee members and homemakers. It thereby demonstrates that women made a significant contribution to the creation of modern built environments in both public and private spheres.
Relying on the concept of a shared history, this book argues that we can speak of a shared heritage that is common in terms of the basic grammar of heritage and articulated histories, but divided alongside the basic difference between colonizers and colonized. This problematic is also evident in contemporary uses of the past. The last decades were crucial to the emergence of new debates: subcultures, new identities, hidden voices and multicultural discourse as a kind of new hegemonic platform also involving concepts of heritage and/or memory. Thereby we can observe a proliferation of heritage agents, especially beyond the scope of the nation state. This volume gets beyond a container vision ...
This richly illustrated book presents the exhibits and curatorial visions of the 2015 Shenzhen Biennale of Architecture and Urbanism (UABB), organized around the theme, Re-Living the City. It highlights the contributions of dozens of international architects, designers and artists, and offers 12 probing, original essays. The projects and essays of UABB 2015, Re-Living the City, criticize the status quo of architecture and urbanism, but they also resist the false dream of designing a perfect city from scratch. Instead, they portray the city as the incremental product of its inhabitants and designers, who provisionally make and remake its fabric through various means at their disposal. Urbaniz...
The Anthropology of Extinction offers compelling explorations of issues of widespread concern.
The urban centers of Morocco, Algeria, and Tunisia are home to performance traditions whose practitioners trace them to al-Andalus, or medieval Muslim Spain. According to its devotees, the repertoire was passed down over the centuries from master to disciple. Today it is ubiquitous in the Maghreb and its diaspora, and is held up as a quasi-official classical music that expresses an abiding link to a prestigious precolonial past. Despite its deep roots, Andalusi music has also profoundly changed in the past one hundred years, and it is now considered a threatened art. In "The Lost Paradise," Jonathan Glasser accounts for the longevity of Andalusi music s revivalist project through ethnographi...