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Elizabeth Garver Jordan was an American journalist, author, editor, and suffragist, now remembered primarily for having edited the first two novels of Sinclair Lewis, and for her relationship with Henry James, especially for recruiting him to participate in the round-robin novel The Whole Family. This book contains: - Bart Harrington, Genius. - The Community's Sunbeam. - Mrs. Mccafferty Explains. - Motion Study at St. Katharine's. - Philip's "Furnis Man". - The Surrender of Professor Seymour. - Young Love.
The Story of a Pioneer by Elizabeth Garver Jordan I. FIRST MEMORIES My father's ancestors were the Shaws of Rothiemurchus, in Scotland, and the ruins of their castle may still be seen on the island of Loch-an-Eilan, in the northern Highlands. It was never the picturesque castle of song and story, this home of the fighting Shaws, but an austere fortress, probably built in Roman times; and even to-day the crumbling walls which alone are left of it show traces of the relentless assaults upon them. Of these the last and the most successful were made in the seventeenth century by the Grants and Rob Roy; and it was into the hands of the Grants that the Shaw fortress finally fell, about 1700, after...
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"The Girl in the Mirror" is an exciting story with an unexpected ending. It tells about a lady who got into a distressing situation and a charming young man who tries to save the situation. The most attractive feature of this book is the ability to keep the reader excited to the end.
Elizabeth Garver Jordan (1867-1947), American journalist, author, editor, and suffragist, is now remembered primarily for her relationship with Henry James, especially for recruiting him to participate in the roundrobin novel The Whole Family.
An early novel in the First Wave of Feminism, with original proceeds donated to the suffrage movement, written by fourteen different, popular writers of the early Twentieth Century. With a new introduction placing The Sturdy Oak as a foundational story of feminist literature, this composite novel, written by fourteen popular authors including nine women, was drawn together during first wave of feminism when the status of women in American life was brought into the spotlight. All proceeds of the book were donated to the Suffrage cause and the tale itself sought to reveal the tensions and expectations in Whitewater, a fictional district of New York. Jordan's assembled team of writers sought to undermine the stereotypical idea of the sturdy oak (the traditional male) with its clinging vines (the women) requiring his support. Foundations of Feminist Fiction. The early 1900s saw a quiet revolution in literature dominated by male adventure heroes. Both men and women moved beyond the norms of the male gaze to write from a different gender perspective, sometimes with female protagonists, but also expressing the universal freedom to write on any subject whatsoever.
This autobiography follows the life of Anna Shaw (1847-1919) from her birth in Newcastle-on-Tyne, England through her presidency of the National American Woman Suffrage Association. Shaw immigrated with her genteel but financially pressed family to America in 1851. They settled first in New Bedford and then in Lawrence, Massachusetts, finally migrating in 1859 to a pioneer farmstead in northern Michigan, where Anna performed much of the subsistence labor during her father's long absences. The first part of her narrative emphasizes her efforts to gain an education and take up a ministerial career. After two years at Albion College, she attended Boston Theological School (1876-1878) and accepted a pastorate in East Dennis, Cape Cod, after graduation; later she also took temporary charge of the Congregational Church in Dennis. After her ordination had been blocked by members of the New England Conference of the Methodist Episcopal Church opposed to ordaining women, Shaw was ordained by the 1880 Conference of the Methodist Protestant Church in Tarrytown, N.Y.
During the first half of the twentieth century, American Jews demonstrated a commitment to racial justice as well as an attraction to African American culture. Until now, the debate about whether such black-Jewish encounters thwarted or enabled Jews' claims to white privilege has focused on men and representations of masculinity while ignoring questions of women and femininity. The White Negress investigates literary and cultural texts by Jewish and African American women, opening new avenues of inquiry that yield more complex stories about Jewishness, African American identity, and the meanings of whiteness. Lori Harrison-Kahan examines writings by Edna Ferber, Fannie Hurst, and Zora Neale Hurston, as well as the blackface performances of vaudevillian Sophie Tucker and controversies over the musical and film adaptations of Show Boat and Imitation of Life. Moving between literature and popular culture, she illuminates how the dynamics of interethnic exchange have at once produced and undermined the binary of black and white.
The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-no...