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Until now Marie Laurencin has attracted only sporadic attention by late-twentieth century art historians, in spite of the noticeable reputation she made in Paris in the first half of the twentieth century. The substance of her art and the feminist issues that were entangled in her life have been only narrowly examined, and the terms of her lesbian identity have been overlooked. In this case study of une femme inadaptée and an unfit feminist, Elizabeth Kahn re-situates Laurencin in the on-going feminist debates that enrich the disciplines of art history, women's studies and literary criticism. Incorporating feminist theory and building on the work of contemporary feminist art historians, she avoids the heroics of conventional biography, instead allowing her subject to participate in the historical collective of women's work. Provocative and engagingly written, this fresh new study of Marie Laurencin's life and works also explores the multiple valences by which to connect the histories of, and find new connections between, women artists across the twentieth century.
Incorporating recent theories of feminism and diaspora, Women Artists in Interwar France: Framing Femininities returns the Société des Femmes Artists Modernes, known as FAM, to its proper place in the history of modern art. Paula Birnbaum's study explores how FAM artists including Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka, approached the self-portrait, motherhood and the female nude, as well as their response to marginalization and the reactionary politics of 1930s France.
Because holiday romance happens all year long . . .Three Stars in the Sky by Stacey Agdern: Singer Zack Weisler needs a song. Songwriter Lisa Kaminsky wants a chance. They have three days in upstate New York to make Sukkot magic. . . and maybe memories that will override the past.It Happened One Yule by Celestine Martin: Reluctant to face yet another Yule party alone, a bubbly witch Matilda casts an attraction spell to catch herself a temporary date but instead catches her best friend grumpy, smoldering Duncan. High spirits and hijinks take place over the longest night of the year as two long time friends fall for each other.Queen Esther, Unmasked by Hallie Alexander: In all her life, Freida...
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard ...
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