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A Social History of the University Presses in Apartheid South Africa
In A History of the University Presses in Apartheid South Africa, Elizabeth le Roux examines scholarly publishing history, academic freedom and knowledge production during the apartheid era. Using archival materials, comprehensive bibliographies, and political sociology theory, this work analyses the origins, publishing lists and philosophies of the university presses. The university presses are often associated with anti-apartheid publishing and the promotion of academic freedom, but this work reveals both greater complicity and complexity. Elizabeth le Roux demonstrates that the university presses cannot be considered oppositional – because they did not resist censorship and because they operated within the constraints of the higher education system – but their publishing strategies became more liberal over time.
Publishing from the South
In 2022 Wits University Press marked its centenary, making it the oldest, most established university press in sub-Saharan Africa. While in part modelled on scholarly publishers from the global North, it has had to contend with the constraints of working under global South conditions: marginalisation within the university, budgetary limitations, small local markets, unequal access to international sales channels, and the privileging of English language publishing over indigenous languages. This volume explores what the Press has achieved, and what its modes of reinvention might look like. In widening and deepening our understanding of the Press as an example of a global South scholarly publi...
Black Cultural Life in South Africa
Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government’s policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American “B” movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement. This study provocatively posits that states of oppressi...
Post-Apartheid Gothic
Post-Apartheid Gothic: White South African Writers and Space analyzes the representation of space in recent works by South African writers. By combining analytical tools borrowed from Gothic studies with geocritical and postcolonial approaches, Mélanie Joseph-Vilain assesses the literary mechanisms utilized by Damon Galgut, Henrietta Rose-Innes, Lauren Beukes, Justin Carwright, and Lynn Freed to negotiate the complexities of post-apartheid identities in their fiction. Joseph-Vilain argues that the literary representations of emblematic places, real or imagined (the home, the farm, the city or the “non-places” of dystopia), express and reveal anxieties linked to the sharing of space in p...
The Super-Afrikaners
The Super-Afrikaners, originally published in South Africa in 1978, scandalised a nation as it exposed the secret workings of a powerful Afrikaner organisation called the Broederbond. Out of print for over three decades, this new edition is available for a new generation and includes an introduction by Max du Preez. Formed in Johannesburg in 1918 by a group of young Afrikaners disillusioned by their role as dispossessed people in their own country, the first triumph of this remarkable organisation was the fact that it was largely responsible for welding together dissident factions within Afrikanerdom and thereby ensuring the accession of the National Party to power in 1948. This highly organised clique of Super-Afrikaners, by sophisticated political intrigue, waged a remarkable campaign to harness political, social and economic forces in South Africa to its cause ... and succeeded. Political journalists Hans Strydom and Ivor Wilkins traced, at great personal risk, its development from its earliest days. The book includes the most comprehensive list of Broeders ever published.
Geldenhuys Genealogy, Descendants of Albert Barends Gildenhuizen
Albert Barend Gildenhuizen (also spelt Gildenhuisz or Gildenhausen) arrived at the Cape in 1661 from Burgsteinfurt, Wesfale, Holland, as a sailor on board the ship "Princesse Royale". He became a "vryburger" on 23rd September 1661, the year before Cape founder Jan van Riebeeck returned to the Netherlands.He returned to Holland to marry Margaretha Hoefnagels and settled in the Cape in 1672. The Geldenhuys Stamvader was employed as a farm labourer from 1662 to 1665, and were known as knechts (hired hands released from the Garrison), working on various farms, among others with farmer Jacob Cloete. "Free burghers" were granted 11.5 hectares of land along the Liesbeek River. Their descendant son, Barend Gildenhausen born on 6th September 1682, was the first purchaser of Vergelegen - the Hottentots Holland wine farm established by Willem Adriaan van der Stel, the son of well-liked Simon van der Stel. Vergelegen borders the town Somerset West.
Conserving Africa's Mega-Diversity in the Anthropocene
This book synthesises key insights from a century of ecological research and monitoring efforts in one of Africa's oldest protected areas.
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