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Publications̈
  • Language: en
  • Pages: 268

Publications̈

  • Type: Book
  • -
  • Published: 1879
  • -
  • Publisher: Unknown

Includes the society's Report

Compliments of Hamilton and Sargent
  • Language: en
  • Pages: 382

Compliments of Hamilton and Sargent

None

Undressing Cinema
  • Language: en
  • Pages: 250

Undressing Cinema

  • Type: Book
  • -
  • Published: 2012-10-12
  • -
  • Publisher: Routledge

From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis. Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses: * haute couture in film and the r...

The Registrar
  • Language: en
  • Pages: 406

The Registrar

  • Type: Book
  • -
  • Published: 1940
  • -
  • Publisher: Unknown

None

Record Society for the Publication of Original Documents Relating to Lancashire and Cheshire
  • Language: en
  • Pages: 280
Publications
  • Language: en
  • Pages: 274

Publications

  • Type: Book
  • -
  • Published: 1879
  • -
  • Publisher: Unknown

None

The Oxford Handbook of Film Theory
  • Language: en
  • Pages: 713

The Oxford Handbook of Film Theory

Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, this collection narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.

Children's Fashions 1900-1950 As Pictured in Sears Catalogs
  • Language: en
  • Pages: 132

Children's Fashions 1900-1950 As Pictured in Sears Catalogs

Chronicles what youngsters, ages 4 to 16, wore during the first half of the 20th century — from knickerbocker suits for boys to elegant chiffon party dresses for girls. Over 300 black-and-white illustrations.