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"Vancouver artist Elizabeth Mackenzie is intrigued by the relationship between human face recognition and the genre of portraiture. Mackenzie notes, "Our brains are neurologically organized to recognize patterns in general and faces in particular. Psychologists call the pattern that constitutes the face a 'preferred pattern. 'We are predisposed, even at infancy, to try and make sense of it." Mackenzie visited Victoria last summer to research portraits in the Art Gallery's permanent collection. Child of Slow Time is an installation based on the work Baby with Bib, a drawing by an unknown artist of an unknown child. Using this portrait as her source, Mackenzie creates her work on-site: a series of graphite renderings, interspersed with ink wash drawings on rice paper, drawn or placed directly onto the gallery walls. The subject of representation is emphasized through repetition, accumulation and the ephemeral nature of the materials used, speaking to the instability of representation. Mackenzie?s drawings function, as the original may have done, as a memorial for an unknown child; a representation of inconstancy and loss."--AGGV website.
Savannah Mackenzie, Southern belle, has just been read her father's last will and testament. She must move to Wyoming Territory to the home of her father's brother, the ranch owner of the Double T. She was a baby when she last saw this family of strangers. Will Savannah find a way to move back East to civilization? Will she endure the crude behavior of the characters living in the rugged West? Will she follow the advice of friends, and stay away from all cowboys? As Wyoming Territory unfolds into statehood and earns the nickname, "Equality State", Savannah may find out something new about herself--her dreams, her strengths, her family, her Cheyenne community. Throughout this story, Savannah relies on the fact that she is not alone in the world, but that God is her constant companion.
Navy SEAL Zane Mackenzie meets his match in the ambassador's daughter he has been sent to save, and horse trainer Maris Mackenzie is falsely accused of horse theft and must rely on a handsome stranger to help clear her name.
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
"In this book Clive Robertson examines the subject of arts administration through the three major topics of 'artist-run culture as movement and apparatus', 'custody battles with/at the Canada Council' and Carings for art and culture'. Includes interviews with Paule Leduc, Roch Carrier, Edythe Goodriche, and Bruce Russell." -- From Art Metropole website (viewed 23 May 2018).