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The Krypto Economy
The Krypto Economy elaborates on the underlying dynamics of our digital era to better create a responsible technological future. Living in a world of exponential technological advancement, we have new construction kits to create and probe possible realities. Marshall McLuan once said that first we build the tools and then the tools build us. We are designed by what we have designed. To design a utopian rather than dystopian future, we took a closer look at the status and potentials of our technological tools. Over a series of seven panel discussions — using some of the most analytical and imaginative minds — we experienced that today's digital instruments are our ultimate Kryptonite. Its benefits have the capacity to aid us exponentially. And yet, its destructive powers — mass surveillance, elimination of privacy, or virtual concentration of power — could push us down a terrifying path. With this book you can join the discourse and find the answers to the most fundamental questions to better navigate towards a responsible technological future.
The Violexchange
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Catalogues of Sales
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Electronic Imaging & the Visual Arts. EVA 2013 Florence
Important Information Technology topics are presented: multimedia systems, data-bases, protection of data, access to the content. Particular reference is reserved to digital images (2D, 3D) regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The main parts of the Conference Proceedings regard: Strategic Issues, EC Projects and Related Networks & Initiatives, International Forum on "Culture & Technology", 2D - 3D Technologies & Applications, Virtual Galleries - Museums and Related Initiatives, Access to the Culture Information. Three Workshops are related to: International Cooperation, Innovation and Enterprise, Creative Industries and Cultural Tourism.
Il paradigma dell'arte contemporanea
In un articolo del 1999 Nathalie Heinich proponeva di considerare l’arte contemporanea come un “genere” dell’arte, con precise specificità e distinto tanto dall’arte moderna quanto dall’arte classica. Quando quindici anni dopo torna sulla questione, la querelle sull’arte contemporanea non si è ancora spenta; anzi, è rinfocolata dall’esplosione dei prezzi e dalla spettacolarizzazione delle proposte artistiche accolte in seno alle istituzioni più rinomate. Più che un genere artistico – azzarda l’autrice – l’arte contemporanea ha inaugurato addirittura un nuovo paradigma. Secondo l’accezione che l’epistemologo Thomas Kuhn ha dato a questo termine, ogni nuovo par...
Swiss Scene
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ARTnews
Vols. for 19-- -1949/50 include: Art news annual (title varies slightly). issued as a separate section of a regular number; 195--1959 issued as a separate volume.
Gauguin
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