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'One of my favourite writers' Nick Hornby One of the most acclaimed writers of our day, award-winning author Elizabeth McCracken is an undisputed virtuoso of the short story, and this new collection features her most vibrant and heartrending work to date. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children's game-show villainess ushers in the New Year with her deadbeat half-brother. And on a trip to a water park with their son, two fathers each confront a deep-rooted personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken shows how the mysterious bonds of family are tested, transform...
'This is the happiest story in the world with the saddest ending.' A prize-winning, successful novelist in her 30s, Elizabeth McCracken was happy to be an itinerant writer and self-proclaimed spinster. Then she fell in love, got married, and continued her life of writing, travelling, and teaching with her husband.Two years ago, she found herself in a remote part of France, waiting for the birth of her first child. This book is about what happens next. In the ninth month of her pregnancy, a baby is lost.Just over a year later, a baby is born. In a profoundly moving display of humour, heart, and unfailing generosity, McCracken tenderly presents her story: a story of true love and unfathomable sadness, of courageous recovery and bittersweet moments, of steadfast memories and deep affection.Grief walks through these pages of this remarkable book, but so do happiness and hope.
From the author of the beloved novel The Giant's House - finalist for the National Book Award - comes a beautiful new story collection, her first in twenty years. Laced through with humour, empathy, and rare and magical descriptive powers these nine vibrant stories navigate the fragile space between love and loneliness. In 'Property', a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord's possessions. In 'Peter Elroy: A Documentary by Ian Casey', the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. And in the unforgettable title s...
"The year is 1950, and in a small town on Cape Cod twenty-six-year-old librarian Peggy Cort feels like love and life have stood her up. Until the day James Carlson Sweatt'the "over-tall" eleven-year-old boy who's the talk of the town'walks into her library and changes her life forever. Two misfits whose lonely paths cross at the circulation desk, Peggy and James are odd candidates for friendship, but nevertheless they soon find their lives entwined in ways that neither one could have predicted. In James, Peggy discovers the one person who's ever really understood her, and as he grows - six foot five at age twelve, then seven feet, then eight - so does her heart and their most singular romance"--Back cover
By turns graceful and knowing, funny and moving, Niagara Falls All Over Again is the latest masterwork by National Book Award finalist and author of The Giant’s House, Elizabeth McCracken. Spanning the waning years of vaudeville and the golden age of Hollywood, Niagara Falls All Over Again chronicles a flawed, passionate friendship over thirty years, weaving a powerful story of family and love, grief and loss. In it, McCracken introduces her most singular and affecting hero: Mose Sharp — son, brother, husband, father, friend ... and straight man to the fat guy in baggy pants who utterly transforms his life. To the paying public, Mose Sharp was the arch, colorless half of the comedy team ...
Ruby McCracken's life is OVER. Her parents have forced her to move to the Ordinary World and that means -- new home, new school and worst of all, no magic! Seriously?! A witch without magic? That's LITERALLY tragic. Ruby has to leave behind her broomstick (and walk everywhere -- YUCK!) and her friends (no more watching Hex Factor together on a Saturday night). She's absolutely STARVING with no snack spell, and there's no way to get revenge on the mean girls at her boring new school without a good curse. Despite her best witching efforts, the Ordinary World remains tragically magic-deprived, until Ruby receives a mysterious hext that seems to offer an answer. That is, if she can figure out what it means and, more importantly, who sent it. Packed with great humour, loveable characters and witty banter, Ruby McCracken: Tragic Without Magic is perfect for fans of Witchworld and The Worst Witch.
When does sorrow turn to shame? When does love become labor? When does chancebecome choice? And when does fact become fiction?
‘A big, glorious novel in every sense, this sprawling family saga...is a funny and big-hearted epic from a seriously gifted wordsmith’ Marie Claire Read the sweeping and enchanting new novel from the author of The Giant’s House Bertha is an enigma to everyone in Salford, Massachusetts – ever since she was discovered unconscious in a New England cemetery with nothing but a bowling ball, a candlepin and fifteen pounds of gold on her person. She has no past to speak of, and her mysterious origin scandalises the townspeople, as does her choice to marry and start a family with Leviticus Sprague, the doctor who revived her. But Bertha is plucky and entrepreneurial, and the bowling alley she opens quickly becomes Salford’s most defining landmark. As she changes the town forever, her singular spirit resonating through every board and brick and bone, an epic family saga unfolds, set against the backdrop of twentieth-century America.
An expansive, moving and captivating graphic memoir from the author of Fun Home. Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. 'As absorbing as it is graced with a deceptive lightness of touch, it is clever, brilliantly pieced together, and utterly unusual. Sunday Times 'It's a beautiful (and beautifully illustrated) look at the complexity and dysfunctionality of family through a unique lens - and frames things in such a way that you can't help but re-examine your own relationships, too.' Stylist
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