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Elizabeth Robins
Beautiful and talented, versatile and charismatic, Elizabeth Robins was one of the foremost actresses of her day. Yet, this enduring character was also an active and lifelong feminist. This biography examines Elizabeth's historical identity and provides a study of the social culture surrounding a woman who lived a life in the spotlight.
Elizabeth Robins, 1862–1952
This biography of Elizabeth Robins (1862-1952) presents the story of a woman who - through her acting, writing and political activism - consistently challenged existing roles for women. The author has drawn upon a vast collection of her private papers.
The Convert
The Convert is about the British Suffrage movement, which the author knew well. Part witty and scathing commentary on the upper classes, part political rhetoric quoted directly from open-air meetings, and part muck-raking realism, it moves back and forth between the personal and the political until the two can no longer be distinguished. The Convert uses as its frame the political "conversion" of Vida Levering, a beautiful, upper middle-class woman. We follow Vida's growing discontent with "country weekend" society and her increasing awareness of the common lot of women. Forthright and direct, Elizabeth Robins discusses issues that must have been shocking in 1907: unwed motherhood, the effects of the inequality of women, and the essential disrespect that underlies chivalry. Reminiscent of Jane Austen and foreshadowing the work of Virginia Woolf, The Convert is a fascinating novel. It provides us with a sense of history and a feeling of pride in what women could and did accomplish. It is also disturbing because far too many of the issues are still relevant.
The Messenger
The Messenger is a tale from which is adapted suffragette Elizabeth Robins's famous play, Votes for Women! Robins's was the first play to bring the "street politics of women's suffrage to the stage." Votes for Women! led to a surge in suffrage theater. Excerpt: "After all, we aren't yet living in the millennium, Julian. What I'm afraid of is that someday you'll be wanting to carry these notions of yours beyond the bounds of what's reasonable." "You mean," said the other young man, with a flash in his dark eyes, "you mean you're afraid I may just chance to be honest in my 'notions,' as you call them, of a scheme of social justice."
Votes for Women
1907. England. Jean, a young and somewhat ignorant woman, is engaged to the politician Stonor, who is up for election for Cabinet Minister. At her aunt Lady John's house, she meets the beautiful and mysterious Miss Levering, an independent lady who has lived through a great deal in her past and is now fighting for women's rights. When Jean hears Miss Levering talk about the horrible situation of young, poor and homeless women in England, she is shocked. Slowly she gets interested in the suffragette's movement, something her fiancé did not expect to be so strong. But then Jean learns that Stonor's annoyance about her involvment in the matter and her interest in Miss Levering has other reasons that dive into his past.
Ibsen and the Actress
An in-depth analysis of the relationship between the premier Norwegian dramatist & the female roles of his creation, a creation by means of which he aimed to expose the shams & fettering the women of his day - & of ours.
Way Stations
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Elizabeth Robins
Joanne E. Gates presents information about American novelist, feminist, and actress Elizabeth Robins (1862-1952). Gates includes a chronology and listings of the novels, nonfiction, and short stories of Robins, as well as access to reference works.
Votes for Women
Votes for Women! (1907) is a play by American actress, writer, and suffragette Elizabeth Robins. Having established herself as one of England's leading actresses with her productions of Henrik Ibsen's dramas, Robins retired from the stage to pursue a writing career. Votes for Women!, inspired by Robins' own activism as a suffragette, was the first major play to represent the movement on stage. Despite its lukewarm reception and controversial subject matter, Robins' work would inspire countless other so-called suffragette plays, not only making space in the male-dominated theatrical world for plays written by, for, and about women, but also reclaiming the political influence of the dramatic a...
