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In this book, Elizabeth S. Dodd traces the contours of a lyric theology through the lens of English lyric tradition. She addresses the dominance of narrative and drama in contemporary theological aesthetics by drawing on recent developments in lyric theory. Informed by the work of critics such as Jonathan Culler, Dodd explores the significance of lyric for theological discourse. Lyric is presented here as a short, musical, expressive and personal form that is also fragmentary, embodied, socially located and performative. The main chapters address key moments in English lyric tradition. This selective approach aims to expand the theological gaze beyond the monochromatic features of the traditional canon. It covers Anglo-Saxon hymns, medieval lullaby carols, early-modern sonnets and the prophetic poetry of Romanticism, but also Grime and hip hop, performance poetry, social media poetry and Geoffrey Hill.
The seventeenth-century poet and divine Thomas Traherne finds innocence in every stage of existence. He finds it in the chaos at the origins of creation as well as in the blessed order of Eden. He finds it in the activities of grace and the hope of glory, but also in the trials of misery and even in the abyss of the Fall. Boundless Innocence in Thomas Traherne’s Poetic Theology traces innocence through Traherne’s works as it transgresses the boundaries of the estates of the soul. Using grammatical and literary categories it explores various aspects of his poetic theology of innocence, uncovering the boundless desire which is embodied in the yearning cry: ’Were all Men Wise and Innocent...’ Recovering and reinterpreting a key but increasingly neglected theme in Traherne’s poetic theology, this book addresses fundamental misconceptions of the meaning of innocence in his work. Through a contextual and theological approach, it indicates the unexplored richness, complexity and diversity of this theme in the history of literature and theology.
Innocence is a rich and emotive idea, but what does it really mean? This is a significant question both for literary interpretation and theology—yet one without a straightforward answer. This volume provides a critical overview of key issues and historical developments in the concept of innocence, delving into its ambivalences and exploring the many transformations of innocence within literature and theology. The contributions in this volume, by leading scholars in their respective fields, provide a range of responses to this critical question. They address literary and theological treatments of innocence from the birth of modernity to the present day. They discuss major symbols and themes...
“The world’s fair beauty set my soul on fire.” In this first study of the full range of Traherne’s poetry Richard Willmott explains his ‘metaphysical’ poetry to all who are attracted by the beauty of his language, but puzzled by his meaning. He offers guidance both for the student of English, uncertain about Traherne’s theological ideas, and the student of theology, put off by seventeenth-century poetic conventions and diction. Using a wealth of quotation, he examines Traherne’s verse alongside that of a variety of his contemporaries, including Andrew Marvell, Lucy Hutchinson, Anne Bradstreet and Edward Taylor. Central to Traherne’s poetry and generous theology is his delig...
God's world was created "very good," Genesis chapter 1 tells us, and in this book Jon Garvey rediscovers the truth, known to the Church for its first 1,500 years but largely forgotten now, that the fall of mankind did not lessen that goodness. The natural creation does not require any apologies or excuses, but rather celebration and praise. The author's re-examination of the scriptural evidence, the writings of two millennia of Christian theologians, and the physical evidence of the world itself lead to the conclusion that we, both as Christians and as modern Westerners, have badly misunderstood our world. Restoring a truer vision of the goodness of the present creation can transform our own lives, sharpen the ministry of the church to the world of both people and nature, and give us a better understanding of what God always intended to bring about through Christ in the age to come.
Poetic Priesthood reads seventeenth-century devotional verse as staging a surprising competition between poetry and the established church. The work of John Donne, George Herbert, Richard Crashaw, John Milton, and Thomas Traherne suggests that the demands of faith are better understood by poets than by priests--even while four of these authors were also ordained. While recent scholarship has tended to emphasize the shaping influence of the liturgy on the poetry of this period, this book argues that verse instead presents readers with a mode of articulating piety that relies on formal experimentation, and that varies from the forms of the church rather than straightforwardly reproducing them....
Throughout history the motif of ‘the Fall’ has impacted upon our understanding of theology and philosophy and has had an influence on everything from literature to dance. Fall Narratives brings together theologians, historians and artists as well as philosophers and scholars of religion and literature, to explore and reflect on a wide range of concepts of the Fall. Bringing a fresh understanding of the nuanced meanings of the Fall and its various manifestations over time and across space, contributions reflect on the ways in which the Fall can be seen as a transition into absence; how conceptions of the Fall relate to, change, and shape one another; and how the Fall can be seen positively, embracing as it does a narrative of hope.
New essays on Thomas Traherne challenge traditional critical readings of the poet.