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Early Colour Printing
This richly illustrated publication reproduces and describes effectively every early modern German color print held at the British Museum. It is one of the world's most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German color printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. Early Colour Printing features masterpieces by leading figures like Erhard Ratdolt, Lucas Cranach, Hans Baldung Grien, and Hans Burgkmair, as w...
The Last Night at the Ritz
The lives and friendship of two women. Time states: "They both were young during World War II when college boys sang 'You can easily tell she's not my mother, 'cause my mother's 49.' This is a novel about then and now mostly in Boston, about women with character and brains and what happens to them, about marriage, about the wear and tear of living, about the manners and aspirations of a generation that endured to see its values -- not well defended but well believed in -- derided across the generation gap. The genre is women's fiction, and the book lapses occasionally into jargon and sentimentality. But in a very short compass, with extraordinary deftness, humor and a rueful shrewdness edging toward wisdom, it rises above genre to something not unlike small genius. "Nowadays, everyone knows a little something about the mind," thinks the lady, "though it doesn't seem to have helped as much as one could wish." --Time 11/19/1973.
Printing Colour 1400-1700
In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.
Culture, Class, Distinction
Choice Recommended Title, February 2010 Culture, Class, Distinction is major contribution to international debates regarding the role of cultural capital in relation to modern forms of inequality. Drawing on a national study of the organisation of cultural practices in contemporary Britain, the authors review Bourdieu’s classic study of the relationships between culture and class in the light of subsequent debates. In doing so they re-appraise the relationships between class, gender and ethnicity, music, film, television, literary, and arts consumption, the organisation of sporting and culinary practices, and practices of bodily and self maintenance. As the most comprehensive account to date of the varied interpretations of cultural capital that have been developed in the wake of Bourdieu’s work, Culture, Class, Distinction offers the first systematic assessment of the relationships between cultural practice and the social divisions of class, gender and ethnicity in contemporary Britain. It is essential reading for anyone interested in the relationships between culture and society.
Willowwood
Based on the life of Dante Gabriel Rossetti.
Savage Fortune
"The eighty-three documents presented here, varied in length and character, are not all concerned with Suffolk, but they are all connected with the eventful lives of Sir Thomas (later Viscount) Savage and his wife Elizabeth Savage (later Countress Rivers), who married in 1602 and whose homes included Melford Hall." "Thomas and Elizabeth both inherited considerable estates in Suffolk, Essex and Cheshire. Within a tight circle of aristocratic Catholics, they became prominent servants of the royal family during the reigns of James I and Charles I. After Thomas's death in 1635, Elizabeth remained an intimate of the queen, but her two houses of St. Osyth's and Melford Hall were sacked in 1642, and she remained chronically short of money up to her death in 1651." "The central document is a remarkable inventory of 1635-6, taken after Thomas died, listing the contents of Melford Hall in Suffolk, Rocksavage in Cheshire and a town house on Tower Hill in London."--BOOK JACKET.
Savage Sundown
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White Monkey
"White Monkey" describes an oilman's travels to his ancestral headwaters in Ireland and Britain to investigate the origins of his own beginnings and later to his wife's home in Korea. While on this journey, the author paints a telling portrait of today's oil industry and its interconnection with nations and trade.
