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The complex of passage tombs at Knowth is dated c. 3200-2900 BC, and this volume deals with one of the most significant aspects of the site. It presents a complete catalogue of the 390 recorded carved stones at Knowth, through descriptions, drawings and photographs. Six main styles of art have been identified and these are discussed, together with the motifs and techniques employed. The Knowth carvings constitute c. 46% of all such art in Ireland, and the volume sets the Knowth art in the context of the other Irish carvings, those in western and northern Britain, and also the somewhat earlier art found on megalithic tombs in Atlantic Europe.
This is a summary of the research that has been carried out on 'megalithic' tombs such as Newgrange and Knowth in County Meath. The four main tomb types are described. Plans and photographs illustrate their main features together with a brief history of the tombs and there is also a glossary of the terms used.
The nurturing Earth Goddess, the Great Mother worshipped at the dawn of civilization—historical fact or consoling fiction? While Goddess mythologies proliferate and the public devours books by artists, psychotherapists, and enthusiastic amateurs, it is remarkable that those in the field of prehistory have remained largely silent. Did Goddess worship really exist? What actually remains from the earliest cultures, and what can it tell us? What can we learn about the early stages of human religion from the study of prehistoric carvings, pictures, pottery, figurines, and temples? In Ancient Goddesses, historians and archaeologists write accessibly about this intriguing and controversial topic ...
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"Archaeologist Genevieve von Petzinger looks past the horses, bison, ibex, and faceless humans in the ancient paintings and instead focuses on the abstract geometric images that accompany them. She offers her research on the terse symbols that appear more often than any other kinds of figures--signs that have never really been studied or explained until now"--
This book is a long-term history of how the human body has been understood in Europe from the Palaeolithic to the present day, focusing on specific moments of change. Developing a multi-scalar approach to the past, and drawing on the work of an interdisciplinary team of experts, the authors examine how the body has been treated in life, art and death for the last 40,000 years. Key case-study chapters examine Palaeolithic, Neolithic, Bronze Age, Classical, Medieval, Early Modern and Modern bodies. What emerges is not merely a history of different understandings of the body, but a history of the different human bodies that have existed. Furthermore, the book argues, these bodies are not merely the product of historical circumstance, but are themselves key elements in shaping the changes that have swept across Europe since the arrival of modern humans.
Strangford Lough in County Down has been officially designated an Area of Outstanding Beauty. For thousands of years, however, its appeal was much more practical. Its vast natural harbour provided refuge for generations of seafarers seeking shelter from the notoriously dangerous Irish Sea and the fertility of its land and the richness of its wildlife proved a strong attraction for human settlement.