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A study of the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Elizabeth Vandiver offers a new perspective on that poetry and on the history of classics in British culture.
Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies. Provides a comprehensive introduction and overview of classical reception - the interpretation of classical art, culture, and thought in later centuries, and the fastest growing area in classics Brings together 34 essays by an international group of contributors focused on ancient and modern reception concepts and practices Combines close readings of key receptions with wider contextualization and discussion Explores the impact of Greek and Roman culture worldwide, including crucial new areas in Arabic literature, South African drama, the history of photography, and contemporary ethics
This examination of Herodotus' references to mythological heroes reveals new aspects of his historiography and of his literary technique. In the development of Greek prose, Herodotus lies between the early logographers and later historians, thematically and stylistically as well as chronologically. His use of heroes exemplifies the intermediate nature of his work. As historiographical data, the heroes serve as chronological reference points, provide aetiologies for families and cities, and explain later customs and courses of action. As literary devices, the heroes operate as symbolic elements that stress important points in the text, place foreign countries within a comprehensible context, and contribute to the characterization of individuals such as Leonidas, Demaratus, and Xerxes.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This volume brings together two important contemporary accounts of the life of Martin Luther in a confrontation that had been postponed for more than four hundred and fifty years. The first of these is written after Luther’s death, when it was rumoured that demons had seized the Reformer on his deathbed and dragged him off to Hell. In response to these rumours, Luther’s friend and colleague, Philip Melanchthon wrote and published a brief encomium of the Reformer in 1548. A completely new translation of this text appears in this book. It was in response to Melanchthon’s work that Johannes Cochlaeus completed and published his own monumental life of Luther in 1549, which is translated and made available in English for the first time in this volume. Such is the detail and importance of Cochlaeus’s life of Luther that for an eyewitness account of the Reformation – and the beginnings of the Catholic Counter-Reformation – there is simply no other historical document to compare.
Plato and Aristotle both believed that the arts were mimetic creations of the human mind that had the power to influence society. In this they were representative of a widespread consensus in ancient culture. Cultural and political impulses informed the fine arts, and these in turn shaped—and were often intended to shape—the living world. The contributors to this volume, all of whom have been encouraged and inspired by the work of Peter Green, document the interaction between life and the arts that has made art more lively and life more artful in sixteen essays with subjects ranging from antiquity to modern times. With topics ranging from Antigone to D. H. Lawrence and Norman Douglas, and from Bactrian coins to Livy's characterization of women, the scope, the zest, and the scholarship of these essays will illuminate new avenues in our understanding of the relationship between classics and culture, and in our appreciation of both the artistic products that have come down to us and the varieties of life from which they spring.
In this set of 24 lectures, Professor Elizabeth Vandiver, University of Maryland, introduces the student to the primary characters and most important stories of classical Greek and Roman mythology. She also surveys some of the leading theoretical approaches to understanding myth in general and classical myth in particular.
This volume brings together 13 original articles which review, re-establish, and rehabilitate the origins, forms, and functions of the mythological elements that are found in the narratives of Herodotus' Histories.
A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist.
This Companion offers a major re-examination of the poetry of the First World War at the start of the war's centennial commemoration.
A 2022 ANTHONY AWARD NOMINEE for Best Anthology From a simple robbery gone horribly wrong to a grisly murder in a secret love dungeon, this stellar collection of crime fiction short stories showcases some of today's finest voices of color. Edited by Wall Street Journal bestselling author Abby L. Vandiver, this thrilling anthology will keep you on the edge of your seat. Welcome to Midnight Hour... Jennifer Chow: "Midnight Escapade" After years of silence, two women decide to meet up in a unique escape room but get trapped in a deadly game from which there may be no escape. Tracy Clark: "Lucky Thirteen" A gun. A last meal. And only one survivor. Sometimes the stars align--but only for the luck...