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Yale University's Elizabethan Club is the home of an outstanding collection of rare editions of early English literature, including the four Folios of Shakespeare, the famous forty quartos acquired from the Huth Collection, the finest of the four known copies of Venus and Adonis, and the unique copy of the first Troilus and Cressida. This volume by Stephen Parks makes available for the first time a detailed bibliographical catalogue of the collection, including full details of provenance, binding, and condition of each of the books.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"The Elizabethan Club of Yale University and Its Library" was first published in 1986 to celebrate the 75th anniversary of the founding of the Elizabethan Club. This second, greatly enlarged edition is being published in celebration of the Club's centenary. This edition includes full descriptions of the rare books in the Elizabethan Club's collection, including the nearly sixty new acquisitions of the past quarter century, and for the first time a listing of manuscripts and objects. Full-color photographs by Richard Cheek elegantly display the Club's rooms and garden, and nearly all its rare books, manuscripts, and objects are beautifully presented in full-color reproductions.
An animated account of the launching of Yale's Elizabethan Club, and the life of its founder and his intriguing wife A millionaire carpet manufacturer, noted philanthropist, and avid yachtsman, Alexander Smith Cochran, Yale Class of 1896, gathered a superb collection of original editions of plays and related works from the reign of Queen Elizabeth. In 1911, with the help of William Lyon Phelps, Cochran launched Yale's Elizabethan Club as a place to house his collection and offer a congenial environment for social and intellectual interaction between Yale undergraduates, graduates, and faculty concerned with literature and the arts. Cochran's creation "changed the tone and atmosphere of modern Yale" until the colleges arrived. Drawing on extensive sources, Walter Goffart surveys Cochran's life and many occupations, notably his founding of the "Lizzie." He also takes a close look at Cochran's intriguing wife of two years, Ganna Walska--the aspiring opera singer celebrated for developing the Lotusland gardens in Montecito, California. Distributed for the Elizabethan Club, Yale University
"Extraordinarily rich and awesomely learned.... The complexity of its subject matter is here mastered in an exemplary fashion. The study offers detailed, concrete, and perceptive assessments of individual writers within a lucid and carefully balanced design.... As a work of striking originality as well as formidable yet lively scholarship, ... Green's book will become a central, even classic, text for students of Renaissance poetry and of a cardinal topos in the history of criticism and hermeneutics." -From the citation for the award of the Harry Levin Prize of the American Comparative Literature Association, 1982 "An outstanding example of learning fully commanded and applied with uncommon perception, a lively sense of historical continuity, and, not least important, productive familiarity with modern literary theory. In its breadth of knowledge, the interplay of literary history and theory, the maturity of its judgments and the urbanity of its style, Professor Greene's study is a most distinguished achievement of American scholarship." -From the citation for the award of the Annual James Russell Lowell Prize, given by the Modern Language Association of America, 1983
Marie Borroff is a literary critic, poet and philologist as well as mediaevalist, with a particular interest in the powers and effects of poetic language. In this collection of essays she explores problems of central importance in the poetry of Chaucer and his nameless contemporary, the Gawain - or Pearl - poet. The work should be useful in the study of late-Middle English literature.