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When Blue Bird and her grandmother leave their family?s camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara Deloria?s tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after Deloria?s death and generally viewed as the masterpiece of her career, offers a captivating glimpse into the daily life of the nineteenth-century Sioux. This new Bison Books edition features an introduction by Susan Gardner and an index.
Ella Cara Deloria devoted much of her life to the study of the language and culture of the Sioux (Dakota and Lakota). The Dakota Way of Life is the result of the long history of her ethnographic descriptions of traditional Dakota culture and social life. Deloria was the most prolific Native scholar of the greater Sioux Nation, and the results of her work comprise an essential source for the study of the greater Sioux Nation culture and language. For years she collected material for a study that would document the variations from group to group. Tragically, her manuscript was not published during her lifetime, and at the end of her life all of her major works remained unpublished. Deloria was...
Ella Deloria (1889?1971), one of the first Native students of linguistics and ethnography in the United States, grew up on the Standing Rock Reservation on the northern Great Plains and was trained by Franz Boas at Columbia University. Dakota Texts presents a rich array of Sioux mythology and folklore in its original language and in translation. Originally published in 1932 by the American Ethnological Society, this work is a landmark contribution to the study of the Sioux tribes.
Beginning with a general discussion of American Indian origins, language families, and culture areas, Deloria then focuses on her own people, the Dakotas, and the intricate kinship system that governed all aspects of their life. She writes, “Exacting and unrelenting obedience to kinship demands made the Dakotas a most kind, unselfish people, always acutely aware of those about them and innately courteous.” Deloria goes on to show the painful transition to reservations and how the holdover of the kinship system worked against Indians trying to follow white notions of progress and success. Her ideas about what both races must do to participate fully in American life are as cogent now as when they were first written. Originally published in 1944, “Speaking of Indians” is an important source of information about Dakota culture and a classic in its elegant clarity of insight.
Ella Cara Deloria loved to listen to her family tell stories in the Dakota language. She recorded many American Indian peoples' stories and languages and shared them with everyone. She helped protect her people's language for future generations. She also wrote stories of her own. Her story is a Minnesota Native American life. The Minnesota Native American Lives Series includes biographies of Charles Albert Bender, Ella Cara Deloria, and Peggy Flanagan. Read all three!
When Blue Bird and her grandmother leave their family?s camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara Deloria?s tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after Deloria?s death and generally viewed as the masterpiece of her career, offers a captivating glimpse into the daily life of the nineteenth-century Sioux. This new Bison Books edition features an introduction by Susan Gardner and an index.
"The Dakota Way of Life is the result of the long history of Ella Deloria's ethnographic manuscript on the Dakota social life"--
Gloria Anzaldua Book Prize, National Women's Studies Association, 2009 In the early twentieth century, three women of color helped shape a new world of ethnographic discovery. Ella Cara Deloria, a Sioux woman from South Dakota, Zora Neale Hurston, an African American woman from Florida, and Jovita González, a Mexican American woman from the Texas borderlands, achieved renown in the fields of folklore studies, anthropology, and ethnolinguistics during the 1920s and 1930s. While all three collaborated with leading male intellectuals in these disciplines to produce innovative ethnographic accounts of their own communities, they also turned away from ethnographic meaning making at key points in...
"The five narratives in this book, the third in Julian Rice's examination of the work of Ella Deloria, demonstrate Deloria's artistry in portraying the central values of Lakota (Sioux) culture. The introductory stories illustrate courage in three extraordinary women and Deloria's ability to subordinate her voice to that of different narrators. Another tale, "The Prairie Dogs," explains how the warriors' and chiefs' societies, the strongest forces for social cohesion, came into being." "The longest story, "The Buffalo People," concerns the origin of tribal identity based on such ideal qualities as the strength and generosity of the buffalo and the resiliency and grace of the corn. Following t...
NEW YORK TIMES BESTSELLER 2020 Anisfield-Wolf Book Award Winner Finalist for the National Book Critics Circle Award From an award-winning historian comes a dazzling history of the birth of cultural anthropology and the adventurous scientists who pioneered it—a sweeping chronicle of discovery and the fascinating origin story of our multicultural world. A century ago, everyone knew that people were fated by their race, sex, and nationality to be more or less intelligent, nurturing, or warlike. But Columbia University professor Franz Boas looked at the data and decided everyone was wrong. Racial categories, he insisted, were biological fictions. Cultures did not come in neat packages labeled ...