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Bawden, Ravilious and the Artists of Great Bardfield
"This book tells the story of Great Bardfield and its artists, and their famous 'open house' exhibitions, showing how the village and neighbouring landscape nurtured a distinctive style of art, design and illustration from the 1930s to the 1970s and beyond."--Jacket.
A Corner of England
Containing photographs taken in and around the author's North Devon home over the past 25 years, this book records the people and landscapes of rural England. It evokes a view of rural English life that is still to be found in every village and country town: local trades, a village wedding, children waiting for the school bus, and farming life.
The Cast Courts
"First opened in 1873, the Victoria and Albert Museum's 'Cast Courts' were purpose built to house copies of architecture and sculpture from around the world. They contain some of the Museum's largest objects, including casts of Trajan's Column (shown in two halves) and the twelfth century Portico de la Gloria from the cathedral at Santiago de Compostela. Among the Museum's most popular galleries, the Cast Courts are an extraordinary expression of Victorian taste, ambition and public spirit. Published to celebrate the opening of the refurbished 'Cast Courts' at the V & A, this book presents a fresh perspective on the Museum's diverse collection of reproductions including plaster cats, electrotypes and photographs." -- provided by publisher.
Eric Ravilious Scrapbooks
To the interested observer the collected volumes of artist-designer Eric Ravilious's preparatory works and materials provide a veritable mine of information about his work and working methods, particularly regarding the masterful development of his signature pure pattern. Ravilious's scrapbooks represent a conscious accumulation of reference material, revealing his interest in subjects as diverse as tennis, cricket, fireworks and aeronautics, alongside a multitude of sketches, tracings and proofs of engravings. Ravilious' scrapbooks do not contain the mass of fascinating but disparate material, seen for example in similar volumes compiled by his great friend and artistic contemporary Edward Bawden. Rather, they document the considered progression of an inquisitive mind, grasping his chosen subjects in a unique and delicate visual language, where many of the artist's most famous motifs and images can be seen blossoming from embryonic stages. Bringing together over 170 images taken from the artist's 5 scrapbooks, accompanied by instructive commentary by the authors, this new book provides a fascinating record of the febrile imagination of one of Britain's best-loved artists.
What Photographs Do
What are photographs ‘doing’ in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect? What Photographs Do explores how museums are defined through their photographic practices. It focuses not on formal collections of photographs as accessioned objects, be they ‘fine art’ or ‘archival’, but on what might be termed ‘non-collections’: the huge number of photographs that are integral to the workings of museums yet ‘invisible’, existing outside the structures of ‘the collection’. These photographs, however, raise complex and ambiguous questions about the ways ...
British Indian Picture Postcards in Bengaluru
Combining ethnographic and archival research, this book examines the lives of colonial-period postcards and reveals how they become objects of contemporary historical imagination in India. Picture postcards were circulated around the world in their billions in the early twentieth century and remained, until the advent of social media, unmatched as the primary means of sharing images alongside personal messages. This book, based on original research in Bengaluru, shows that their lives stretch from their initial production and consumption in the early 1900s into the present where they act as visual and material mediators in postcolonial productions of history, locality, and heritage against a backdrop of intense urban change. The book will be of interest to photographic historians, visual anthropologists, and art historians.
The Routledge Companion to Architectural Drawings and Models
Architectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction. Including emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas: drawing sites/sites...
The India Museum Revisited
The museum of the East India Company formed, for a large part of the nineteenth century, one of the sights of London. In recent years, little has been remembered of it beyond its mere existence, while an assumed negative role has been widely attributed to it on the basis of its position at the heart of one of Britain’s arch-colonialist enterprises. Extensively illustrated, The India Museum Revisited provides a full examination of the museum’s founding manifesto and evolving ambitions. It surveys the contents of its multi-faceted collections – with respect to materials, their manufacture and original functions on the Indian sub-continent – as well as the collectors who gathered them and the manner in which they were mobilized to various ends within the museum. From this integrated treatment of documentary and material sources, a more accurate, rounded and nuanced picture emerges of an institution that contributed in major ways, over a period of 80 years, to the representation of India for a European audience, not only in Britain but through the museum’s involvement in the international exposition movement to audiences on the continent and beyond.
Picture-Work
How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today’s kaleidoscopic digital visual culture are many. In this book, Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public’s understanding of what the photographic image is, while building vast collections with universalizing ambitions. Highlighting underexplored figures, such as the...
