Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
What Photographs Do
What are photographs ‘doing’ in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect? What Photographs Do explores how museums are defined through their photographic practices. It focuses not on formal collections of photographs as accessioned objects, be they ‘fine art’ or ‘archival’, but on what might be termed ‘non-collections’: the huge number of photographs that are integral to the workings of museums yet ‘invisible’, existing outside the structures of ‘the collection’. These photographs, however, raise complex and ambiguous questions about the ways ...
Eric Ravilious
A joyful and celebratory gift book devoted to the work of the much-loved English artist Eric Ravilious (1903-1942) and the influence of natural forms and themes in his work.
What Photographs Do
A collective case study of photographic culture through the lens of the Victoria and Albert Museum. A massive quantity of museums' photographic holdings resides not on gallery walls or archives, but outside of their formal collections, including reference photos and ephemera that are integral to the workings of museums. What Photographs Do explores how museums are defined through their photographic practices. Studied through the prism of the Victoria and Albert Museum in London, this collection asks complex and ambiguous questions about how accumulations of photographs create the values, hierarchies, histories, and knowledge systems of a museum ecosystem. Chapters are comprised of short, auto-ethnographic interventions from museum practitioners, from studio photographers and image managers to conservators and non-photographic curators, who address the significance of both historical and contemporary practices of photography in their work, providing an extensive and unique range of accounts of what photographs do in museums while also expanding the critical discourse of both photography and museums.
A Corner of England
Containing photographs taken in and around the author's North Devon home over the past 25 years, this book records the people and landscapes of rural England. It evokes a view of rural English life that is still to be found in every village and country town: local trades, a village wedding, children waiting for the school bus, and farming life.
Eric Ravilious
More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. This new survey of his work by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic design, textiles and ceramics - and positions Ravilious firmly as a major figure in the history of early 20th-century British art. In an accessible and engaging text, copiously illustrated with reproductions of work drawn from a range of sources, Alan Powers discusses the reception of Ravilious's work since his death in 1942 and the part it has played in creating an English style of the time, positioned between tradition and Modernism, and borrowing from naive and popular art of the past.
The Cast Courts
"First opened in 1873, the Victoria and Albert Museum's 'Cast Courts' were purpose built to house copies of architecture and sculpture from around the world. They contain some of the Museum's largest objects, including casts of Trajan's Column (shown in two halves) and the twelfth century Portico de la Gloria from the cathedral at Santiago de Compostela. Among the Museum's most popular galleries, the Cast Courts are an extraordinary expression of Victorian taste, ambition and public spirit. Published to celebrate the opening of the refurbished 'Cast Courts' at the V & A, this book presents a fresh perspective on the Museum's diverse collection of reproductions including plaster cats, electrotypes and photographs." -- provided by publisher.
Ravilious & Wedgwood
My son looked at me and my accoutrements with skepticism through narrowed eyes. This would be the son with the tattoo between his shoulder blades, the hand-rolled cigarette, the assortment of earrings, and the riot of curls that-at the right length-give him a jaunty, Viva la Revolucion Che Guevara vibe. He's a hard one to impress when it comes to unorthodoxy. "Mom, you look like you're ready to break into a chemical plant." From out of the mouths of babes... As though adjusting to courtrooms, spike heels and a chainsaw after forty weren't enough... Following in the high-heeled footsteps of Mary T. Wagner's two earlier inspiring and award-winning essay collections, "Fabulous in Flats" starts ...
British Indian Picture Postcards in Bengaluru
Combining ethnographic and archival research, this book examines the lives of colonial-period postcards and reveals how they become objects of contemporary historical imagination in India. Picture postcards were circulated around the world in their billions in the early twentieth century and remained, until the advent of social media, unmatched as the primary means of sharing images alongside personal messages. This book, based on original research in Bengaluru, shows that their lives stretch from their initial production and consumption in the early 1900s into the present where they act as visual and material mediators in postcolonial productions of history, locality, and heritage against a backdrop of intense urban change. The book will be of interest to photographic historians, visual anthropologists, and art historians.
The Routledge Companion to Architectural Drawings and Models
Architectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction. Including emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas: drawing sites/sites...
The India Museum Revisited
The museum of the East India Company formed, for a large part of the nineteenth century, one of the sights of London. In recent years, little has been remembered of it beyond its mere existence, while an assumed negative role has been widely attributed to it on the basis of its position at the heart of one of Britain’s arch-colonialist enterprises. Extensively illustrated, The India Museum Revisited provides a full examination of the museum’s founding manifesto and evolving ambitions. It surveys the contents of its multi-faceted collections – with respect to materials, their manufacture and original functions on the Indian sub-continent – as well as the collectors who gathered them and the manner in which they were mobilized to various ends within the museum. From this integrated treatment of documentary and material sources, a more accurate, rounded and nuanced picture emerges of an institution that contributed in major ways, over a period of 80 years, to the representation of India for a European audience, not only in Britain but through the museum’s involvement in the international exposition movement to audiences on the continent and beyond.
