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"In the 17th century, when insects were called "beasts of the devil", and women were virtually excluded from the field of science, a young German woman named Maria Sibylla Merian (1647-1717) dedicated her life to the study and depiction of the metamorphosis of insects. Merian's extraordinary accomplishments in art and science and those of her most important pupils - her daughters Johanna Helena and Dorothea Maria - will be on view in Maria Sibylla Merian & Daughters: Women of Art and Science at the J. Paul Getty Museum, the Getty Center, June 10 - August 31, 2008, the first major exhibition of Merian's work in America. The exhibition will explore various aspects of Merian's career, including...
DIVA collection of foundational and contemporary essays in postcolonial science studies./div
Drawing is at the heart of human creativity. The most democratic form of art-making, it requires nothing more than a plain surface and a stub of pencil, a piece of chalk or an inky brush. Our prehistoric ancestors drew with natural pigments on the walls of caves, and every subsequent culture has practised drawing – whether on papyrus, parchment or paper. Artists throughout history have used drawing as part of the creative process. While painting and sculpture have been shaped heavily by money and influence, drawing has always offered extraordinary creative latitude. Here we see the artist at his or her most unguarded. Susan Owens offers a glimpse over artists’ shoulders – from Michelangelo, Rembrandt and Hokusai to Van Gogh, Käthe Kollwitz and Yayoi Kusama – as they work, think and innovate, as they scrutinise the world around them or escape into their imaginations. The Story of Drawing loops around the established history of art, sometimes staying close, at other times diving into exhilarating and altogether less familiar territory.
This first volume in 'The making of the humanities' series focuses on the early modern period. Specialists from various disciplines offer their view on the history of linguistics, literary studies, musicology, historiography, and philosophy.
How the picturing of insects inspired new ideas about art, science, nature, and commerce
The first comprehensive environmental synthesis of the Caribbean region, written by eminent scholars of the topic.
Traditionally, Germany has been considered a minor player in Pacific history: its presence there was more limited than that of other European nations, and whereas its European rivals established themselves as imperial forces beginning in the early modern era, Germany did not seriously pursue colonialism until the nineteenth century. Yet thanks to recent advances in the field emphasizing transoceanic networks and cultural encounters, it is now possible to develop a more nuanced understanding of the history of Germans in the Pacific. The studies gathered here offer fascinating research into German missionary, commercial, scientific, and imperial activity against the backdrop of the Pacific’s overlapping cultural circuits and complex oceanic transits.
The first reader in critical plant studies, exploring a rapidly growing multidisciplinary field—the intersection of philosophy with plant science and the visual arts. In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local traditions, Indigenous knowledge, history, geography, anthropology, philosophy, and aesthetics to intersect, inform one another, and lead interdisciplinary and tran...
"A biographical novel in verse of three different girls in three different time periods who grew up to become groundbreaking scientists"--