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Ellen Blumenstein
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Anthem for the People's Tomorrow
A collaborative project by the Master of Fine Art graduates of the Piet Zwart Institute, supervised by Ellen Blumenstein.
Markierung
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Between Two Deaths
In the continual disappointment of failed political and social utopias--the 60 and the Eastern Bloc come to mind--artists, like everyone else, often find themselves indulging melancholic nostalgia. Between Two Deaths collects work addressing those feelings of uneasiness and loss, critical-artistic reflections on the political, social and cultural trends towards regret and retrospection. The assembled work observes conservative cultural debates, stagnation, regression, fear, insecurity, lethargy and nostalgia, not with censure but with interest--with curiosity about these feelings, and about the cynical pessimism or oft-prescribed optimism that follows. With contributions from Bas Jan Ader, Sebastian Diaz-Morales, Elin Hansdottir, Jutta Koether, Javier Téllez, and Mark Titchner, Harry Dodge, Sue de Beer, Stanya Kahn, Brock Enright and Barnaby Furnass.
Under Deconstruction
The publication by Libia Castro and Ólafur Ólafsson on the occasion of the exhibition at the Icelandic pavilion at Venice Biennale 2011 is conceived as a first comprehensive overview / in depth analysis of more than ten years of their artistic practice--leading up to their most current works. Four essays by internationally renowned writers approach Castro/Ólafsson's work from different angles, while a conversation with the exhibition curator, Ellen Blumenstein, meanders through the book, takes up the artists own perspective on their work, and focuses on the production of the new projects while digging into recent social and political developments in Iceland. Contributors Maurizio Lazzarato, Susanne Leeb, Halldór Björn Runólfsson, Simon Sheikh Conversation with the artists by Ellen Blumenstein
KW Pocket 2
Each painting in this small monograph of work by Glasgow-based British artist Merlin James is an appeal to the viewer to play with the semantic elements of the picture. The second in the KW Pocket Series, Signal Box presents a snapshot of thirty years of Merlins work exhibited at the KW Institute for Contemporary Art in Berlin as well as a number of other important works from the artists career including a group of distinctively shaped canvases, semitransparent framed supports, and paintings on canvas. Included also is a conversation with the artist by KW chief curator Ellen Blumenstein. Merlin Jamess paintings have been exhibited widely, including at the Kunstverein Freiburg, KW Institute for Contemporary Art, Berlin; and Parasol Unit Foundation for the Arts in London besides representing Wales at the 52nd Venice Biennale. Alongside his painting practice, he is an accomplished art writer, critic and curator.
Kate Cooper
A first-time publication for fast-moving British collaborative artist Kate Cooper (b. 1984) accompanies her solo exhibition at the KW Institute for Contemporary Art, Berlin, 2015the result of receiving the 2014 Schering Stiftung Art Award. Cooper is co-founder of artist collective Auto Italia South East, and moves between solo and collaborative works addressing issues of capitalism and commercialism. For the KW Institute, Cooper focused around a fictional space titled Look Book. Through digital videos, installations and digitally altered photographic works, she explores the role of gender and the agency of images. For Cooper, producing images is akin to building infrastructure. Her computer-generated bodies are imbued with power and put to work. The oversized catalog designed to accentuate Coopers re-appropriation of female ad images, captures the essence of glossy fashion and lifestyle magazines. Included is a new short story by Hannah Black, texts by Ellen Blumenstein and Christina Weiss, plus subtitles and slogans by Catherine Wood.
Queer Art Camp Superstar
Hailed as "the most consequential artist to have emerged since the nineteen-eighties," American artist and filmmaker Ryan Trecartin has received numerous accolades for his kaleidoscopic, multilayered movies and multimedia installations. However, there exists to date no comprehensive study of this prolific artist's work. Queer Art Camp Superstar compensates for this absence of sustained critical analysis of Trecartin's work by looking closely at a selection of his most significant movies in order to discern the artist's artistic genealogy, evolving aesthetics, radical approach to digital and Internet culture, and impact on contemporary art, film, and media. Examining Trecartin's substantial b...
Perform A Lecture!
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Umbr(a): Utopia
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