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The first in-depth, critical look at figure skating.
Perhaps the foremost issue in the emerging area of inquiry known as lesbian and gay studies is the social constructionist controversy. Social constructionism is the view that the categories of sexual orientation are cultural constructs rather than naturally universal categories. Forms of Desire brings together important essays by social constructionists and their critics, representing several disciplines and approaches to this debate about the history and science of sexuality.
The attack on Nancy Kerrigan at the 1994 U.S. Figure Skating Championships set the stage for a Winter Olympics spectacle: Tonya versus Nancy. Women on Ice collects the writings of a diverse group of feminists who address and question our national obsession with Tonya and Nancy and what this tells us about perceptions of women in twentieth century America.
"Few activities bring together physicality, emotions, politics, money, and morality as dramatically as sport. In Brazil's stadiums or parks in China, on Cuba's baseball diamonds or rugby fields in Fiji, human beings test their physical limits, invest emotional energy, bet money, perform witchcraft, and ingest substances, making sport a microcosm of what life is about. The Anthropology of Sport explores not only what anthropological thinking tells us about sports, but also what sports tell us about the ways in which the sporting body is shaped by and shapes the social, cultural, political, and historical contexts in which we live. Core themes discussed in this book include the body, modernity, nationalism, the state, citizenship, transnationalism, globalization, and gender and sexuality"--Provided by publisher.
Business brings together many of the liveliest and most significant articles published in the journal over its first twenty years, from the best writers on the left today, including Barbara Ehrenreich, Donna Haraway, Stanley Aronowitz and Jeffrey Escoffier. Their subjects range from the construction of racial and sexual identities to the utopian dimensions of Marxist theory, and the cross-impacts of feminism and neoliberalism, community and subjectivity, in a.
In contemporary North America, figure skating ranks among the most 'feminine' of sports and few boys take it up for fear of being labelled effeminate or gay. Yet figure skating was once an exclusively male pastime - women did not skate in significant numbers until the late 1800s, at least a century after the founding of the first skating club. Only in the 1930s did figure skating begin to acquire its feminine image. Artistic Impressions is the first history to trace figure skating's striking transformation from gentlemen's art to 'girls' sport.' With a focus on masculinity, Mary Louise Adams examines how skating's evolving gender identity has been reflected on the ice and in the media, looking at rules, technique, and style and at ongoing debates about the place of 'art' in sport. Uncovering the little known history of skating, Artistic Impressions shows how ideas about sport, gender, and sexuality have combined to limit the forms of physical expression available to men.
First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.