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Inventing Elsa Maxwell, the first biography of this extraordinary woman, tells the witty story of a life lived out loud. With Inventing Elsa Maxwell, Sam Staggs has crafted a landmark biography. Elsa Maxwell (1881-1963) invented herself–not once, but repeatedly. Built like a bulldog, she ascended from the San Francisco middle class to the heights of society in New York, London, Paris, Venice, and Monte Carlo. Shunning boredom and predictability, Elsa established herself as party-giver extraordinaire in Europe with come-as-you-are parties, treasure hunts (e.g., retrieve a slipper from the foot of a singer at the Casino de Paris), and murder parties that drew the ire of the British parliamen...
"She has been a pianist in a nickelodeon; an accompanist for a vaudeville star; a song writer; a partner in two Paris night clubs; a consultant to a dressmaker; a press agent for Monte Carlo; an actress in the movies, theater, radio and television; a script writer; a newpaper columnist; a contributor to magazines; and a lecturer. Recognized as an arbiter of international society and one of the world's most famous hostesses, the first party she ever gave for royalty cost seven dollars for a dozen guests... When she was twelve in San Francisco she was told she wouldn't be invited to a certain party because her family was too poor. 'I swore to myself I would give great parties all over the world to which everyone would want to come, but the rich would be invited only if they had something more important to offer than money'"--from jacket flaps.
A biography of Elsa Maxwell, the twentieth century's premiere international society hostess, traces her odyssey from her Iowa childhood to her triumphs as a promoter and columnist
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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