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The Author as Character
"Many fictional works have real, historical authors as characters. Great national literary icons like Virgil and Shakespeare have been fictionalized in novels, plays, poems, movies, and operas. This fashion might seem typically postmodern, the reverse side of the contention that the Author is Dead; but this collection of essays shows that the representation of historical authors as characters can boast of a considerable history, and may well constitute a genre in its own right. This volume brings together a collection of articles on appropriations of historical authors, written by experts in a wide range of major Western literatures."--BOOK JACKET.
Joan of Navarre
This book is the first full-length biography of Joan of Navarre, a fascinating royal woman who became duchess of Brittany and queen consort of England through her two marriages in 1386 and 1403 respectively. Joan was enmeshed in the turbulent politics of the later Middle Ages as her extensive family and marital connections meant she was related to most of the royal houses of Western Europe—as well as the key protagonists of the Hundred Years War. The large foreign entourage that Joan brought with her to England, and her family ties across the Channel, made her unpopular with her subjects and her loyalties suspect, provoking several purges of her household and culminating in a charge of tre...
The Cultural Patronage of Medieval Women
The Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more c...
Women in Medieval History and Historiography
What was the status of women in the Middle Ages? How have women fared in the hands of historians? And, what is the current state of research about women in the Middle Ages? Susan Mosher Stuard addresses these questions in a collection of essays that delve in to the history and historiography of women in medieval England, France, Italy, and Germany. Contributors include Barbara Hanawalt, Diane Owen Hughes, Suzanne Wemple, Denise Kaiser, and Martha Howell. One of the most interesting observations made in Women in Medieval History and Historiography is the way in which the history of women in each country has followed a distinct course that is in rhythm with other concerns of national historical writing. Women in Medieval History and Historiography will interest historians, scholars of women's studies, and medievalists.
The Carlyle Encyclopedia
"The Carlyle Encyclopedia focuses primarily on Thomas Carlyle. It reflects the range of his interests and resists stereotyped impression of who he was and what he believed. It covers Carlyle's entire life, without privileging any particular work or period, and locates Carlyle in his time and place, in the context of a rich and challenging age. The Carlyle Encyclopedia also gives a balanced assessment of Jane Welsh Carlyle, which avoids either belittling her or overestimating her achievement. It avoids the reductive and contradictory stereotypes of her which were offered by early biographers of Thomas Carlyle and offers instead a study of her varied friendships and her trenchant observations on contemporary life." "The Carlyle Encyclopedia will interest a variety of readers who concern themselves with literature, social history, the history of ideas, Victorian culture, and Scottish studies."--BOOK JACKET.
National Union Catalog
Includes entries for maps and atlases.
"Women's Contributions to Visual Culture, 1918?939 "
An exploration of women?s contributions to visual culture in major urban centres between the wars (1918-1939), this collection sheds new light on women?s relationships with the processes of modernism and modernization. Women?s work in a variety of mediums is explored, including design, print, illustration, murals, poster art, and costume design, as well as more conventional forms of painting and sculpture. International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women?s role in the agency and mediation of artistic production in the interwar period.
