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The Greek Bible and the services of the Orthodox Church have proved a rich source of language for many poets of modern Greece, and perhaps for none more than for Kostis Palamas, Angelos Sikelianos and Odysseas Elytis, whose overlapping careers span the period 1876-1996. A blurring of the boundaries between Orthodoxy and 'Greekness' (hellênikotêta, which all three poets celebrate) has often led critics to assume from the Christian borrowings in the poetry the Christian allegiance of the poets. Through detailed analyses of selected poems, focusing on their relation to Biblical and liturgical source texts, this book questions whether the work of these poets is compatible with Christianity at all. It asks whether a Christ who is assimilated, along with the Virgin Mary, into the ancient Greek pantheon, or presented as a symbol of Beauty, or as object of the erotic desire of the women of the Gospels is still within the realm of Orthodoxy. Above all it asks whether, when the poetic ego appropriates to itself words which in their original context belong to Christ or Jehovah, there is any room left for the divine, or whether the poet has not in fact elbowed God off the stage altogether.
Dialogos" encompasses Greek language and literature, Greek history and archaeology, Greek culture and thought, present and past: a territory of distinctive richness and unsurpassed influence. It seeks to foster critical awareness and informed debate about the ideas, events and achievements that make up this territory, by redefining their qualities, by exploring their interconnections and by reinterpreting their significance within Western culture and beyond.
"Originally published in 1997, The Collected Poems of Odysseus Elytis was the fist complete collection of Elytis's poems in any language." "For this expanded new edition, translators Jeffrey Carson and Nikos Sarris have added sixty free verse and prose poems from the posthumous 1998 volume From Close By; a set of song lyrics, The Rhos of Eros; and a cantata, The Sovereign Sun."--BOOK JACKET.
Engaging with the work of Nobel Prize-winning poet Odysseus Elytis within the framework of international modernism, Marinos Pourgouris places the poet's work in the context of other modernist and surrealist writers in Europe. At the same time, Pourgouris puts forward a redefinition of European Modernism that makes the Mediterranean, and Greece in particular, the discursive contact zone and incorporates neglected elements such as national identity and geography. Beginning with an examination of Greek Modernism, Pourgouris's study places Elytis in conversation with Albert Camus; analyzes the influence of Charles Baudelaire, Gaston Bachelard, and Sigmund Freud on Elytis's theory of analogies; t...
Olga Broumas has chosen poems from the full range of Odysseas Elytis's Nobel Prize-winning poetry, including his early work when he was associated with the Surrealists, to the entirety of his long poem The Little Mariner, as well as a previously unavailable selection of his last poems, written shortly before his death in 1996. Elytis himself offers the best description of his work: If a separate personal Paradise exists for each of us, mine must be irreparably planted with trees of words which the wind silvers like poplars, by people who see their confiscated justice given back, and by birds that even in the midst of the truth of death insist on singing in Greek and saying eros, eros, eros.
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The Axion Esti is probably the most widely read volume of verse to have appeared in Greece since World War II and remains a classic today. Those who follow the music of Greek composer Mikis Theodorakis have been especially drawn to Odysseus Elytis's work, his prose is widely considered a mirror to the revolutionary music of Theodorakis. The "autobiographical" elements are constantly colored by allusion to the history of Greece, thus, the poems express a contemporary consciousness fully resonant with those echoes of the past that have served most to shape the modern Greek experience.
In 1945, the modern country and people of Greece were unknown to many Britons. This book explores the transformation and varying fortunes of Anglo-Greek relations since that time. The focus is on the perceptions and attitudes shown by British and Greek writers, audiences, and organisations. Greece and Britain Since 1945 contains chapters from leading academics, journalists, novelists, and public servants and covers subjects including literature by Greek writers in English translation; the work of the British Council and international aid agencies; and television series set in Greece. The second edition has been substantially updated to reflect the financial, economic and social effects of the recent “Greek Crisis”. Four specially-commissioned new chapters discuss how Greece has been portrayed in the British media and the responses of cultural organisations to the present needs of the Greek people.
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