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Sludge Treatment and Disposal
  • Language: en
  • Pages: 64

Sludge Treatment and Disposal

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

Recoge: 1. Introduction - 2. Background - 3. Sludge characterisation - 4. Transportation and storage - 5. Agricultural use - 6. Composting - 7. Drying - 8. Incinaration - 9. Landfilling - 10. New technologies - 11. Environmental impact assessments - 12. How to decide on sludge disposal - 13. Appendices - 14. References.

Krewni: powieść ... J. Korzeniowskiego. Recenzya ... Przedruk z Wiadomości Polskich. [Signed, J. K.]
  • Language: pl
  • Pages: 48
Breath Crystal
  • Language: en
  • Pages: 21

Breath Crystal

  • Type: Book
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  • Published: 1976
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  • Publisher: Unknown

None

Government of the Tongue
  • Language: en
  • Pages: 226

Government of the Tongue

The title, The Government of the Tongue, carries suggestions of both monastic discipline and untrammelled romanticism, and is meant to raise an old question about the rights and status of poetic utterance itself. Should it be governed? Should it be the governor? Seamus Heaney here scrutinizes the work of several poets, British and Irish, American and European, whose work is responsive to such strains and tensions.

The Culture of Lies
  • Language: en
  • Pages: 275

The Culture of Lies

  • Type: Book
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  • Published: 1998
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  • Publisher: Phoenix

A funny and cynical collection of essays, apercus and sketches denouncing the perversions of political and cultural life in Croatia. The Culture of Lies was written as a reaction to the collapse of Yugoslavia and the unholy war in Croatia and Bosnia. The collection attacks and attempts to understand events in the former Yugoslavia: aggression against people's own brothers, artificial amnesties; adoption of nationalist fascist ideologies; propaganda and censorship; folklore kitsch as a culture of a lie; writers and intellectuals caught up in the Maelstrom of Nationalism. Ugresic's ascerbic and pentrating essays cover everything from politics to daily routine, from public to private life. This is 1 of the most intelligent and lucid accounts of this episode in history by a writer herself exiled and struggling to find a new identity.

The Trap
  • Language: en
  • Pages: 124

The Trap

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

On Page and Stage
  • Language: en
  • Pages: 376

On Page and Stage

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

None

Baroque Personae
  • Language: en
  • Pages: 368

Baroque Personae

Originally published in Italian as L'Uomo Barocco (Editori Laterza), in 1991. Several chapters are published from the authors' original English-language versions, revised; one has been translated form the author's original French-language version, revised. Contributors develop a portrait of institutions, ideologies, intellectual themes, and social structures as they are reflected in characteristic social roles of the Baroque period, such as the statesman, the nun, the soldier, the artist, the witch, the scientist, and the bourgeois. Paper edition (85637-2), $18.95. Annotation copyright by Book News, Inc., Portland, OR

The Moche
  • Language: en
  • Pages: 392

The Moche

This vivid evocation of an ancient civilization is both enlivened and deepened by the author's sympathetic understanding of customs, rituals and myths which to modern eyes may seem both strange and terrible. It will be widely welcomed by scholars and students of South American archaeology and history, by all those curious to know more about a civilization that for thirteen centuries was largely forgotten.

Metaphysics and Art
  • Language: en
  • Pages: 240

Metaphysics and Art

  • Categories: Art

Abstract art is often viewed as the effect of the artist's creative imagination rather than of reason, which is considered to be a faculty lower than imagination and intuition. In this context, the perceived role of the imagination is expanded at the expense of reality, which is considered to be an obstacle to the artist. From the metaphysical point of view, man is incapable of giving existence to a created work as creativity is beyond human reach. The Greek conception of imitation (mimesis) was not merely replication, but a creative completion of reality, leaving a wide field for creative invention. Abstract art does not have its source within art itself, but in theosophy, which draws on the thought of ancient Gnostics.