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A fresh look at how Christianity and Judaism became two distinct religions through the parting of their intellectual traditions How, when, and why did Christianity and Judaism diverge into separate religions? Emanuel Fiano reinterprets the parting of the ways between Jews and Christians as a split between two intellectual traditions, a split that emerged within the context of ancient debates about Jesus’s relationship to God and the world. Fiano explores how Christianity moved away from Judaism through the development of new practices for religious inquiry. By demonstrating that the constitution of communal borders coincided with the elaboration of different methods for producing religious knowledge, the author shows that Christian theological controversies, often thought to teach us nothing beyond the history of dogma, can cast light on the broader religious landscape of late antiquity. Three Powers in Heaven thus marks not only a historical but also a methodological intervention in the study of the parting of the ways and in scholarship on ancient religion.
Heirs of the Apostles offers a panoramic survey of Arabic-speaking Christians—descendants of the Christian communities established in the Middle East by the apostles—and their history, religion, and culture in the early Islamic and medieval periods. The subjects range from Arabic translations of the Bible, to the status of Christians in the Muslim-governed lands, Muslim-Christian polemic, and Christian-Muslim and Christian-Jewish relations. The volume is offered as a Festschrift to Sidney H. Griffith, the doyen of Christian Arabic Studies in North America, on his eightieth birthday. Contributors are: David Bertaina, Elie Dannaoui, Stephen Davis, Nathan P. Gibson, Cornelia Horn, Sandra Toenies Keating, Juan Pedro Monferrer-Sala, Johannes Pahlitzsch, Andrew Platt, Thomas W. Ricks, Barbara Roggema, Harald Suermann, Mark N. Swanson, Shawqi Talia, Jack Tannous, David Thomas, Jennifer Tobkin, Alexander Treiger, Ronny Vollandt, Clare Wilde, and Jason Zaborowski.
Luke and the Jewish Other takes up the debated question of the orientation of Luke towards the Jewish people. Building on recent studies in the social history of early Jewish-Christian relations, it offers an analysis of Luke’s portrayal of Jewish and Christian identities that challenges the common assumption that the construction of religious identity in antiquity necessarily depended upon antagonistic relations with others. Taking account of the deep and often divisive difference that belief in Jesus made in Luke’s community, the author argues that Luke hoped to bring about both a rapprochement with and the conversion of contemporary Jews. Through this account of identity and alterity in the Gospel of Luke, the book cuts across boundaries of biblical studies, history, theology, and social theory, proposing a way forward for the study of Luke’s relation to Judaism and of the "parting of the ways" between Jews and Christians in the early Common Era.
In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
"The emergence of a literature in any language is an improbable and complex historical achievement. In fact, many known languages throughout history did not develop writing, let alone a literature. This book, a collectively written early history of different literary traditions across the globe and through time, presents a global, comparative account of literary origins spanning the Mediterranean, Asia, Europe, Africa, and the Americas. Seventeen chapters, each written by a scholar with expertise in a particular language and literature, trace the creation of writing and its interaction with oral practices, the rise of print circulation, the passage from sacred to secular writing and reading ...
Offers a radically new account of Babylonian Jewish and rabbinic engagement and negotiation with Sasanian rule.
Marshalling previously untapped Christian materials, Bar-Asher Siegal offers radically new insights into Talmudic stories about Scriptural debates with Christian heretics.
Judith tells the story of a beautiful Jewish woman who enters the tent of an invading general, gets him drunk, and then slices off his head, thus saving her village and Jerusalem. This short novella was somewhat surprisingly included in the early Christian versions of the Old Testament and has played an important role in the Western tradition ever since. This commentary provides a detailed analysis of the text's composition and its meaning in its original historical context, and thoroughly surveys the history of Judith scholarship. Lawrence M. Wills not only considers Judith's relation to earlier biblical texts--how the author played upon previous biblical motifs and interpreted important biblical passages--but also addresses the rise of Judith and other Jewish novellas in the context of ancient Near Eastern and Greek literature, as well as their relation to cross-cultural folk motifs. Because of the popularity of Judith in art and culture, this volume also addresses the book's history of interpretation in paintings, sculpture, music, drama, and literature. A number of images of artistic depictions of Judith are included and discussed in detail.
Storytelling in late antique Christianity -- "How is Muhammad a better storyteller than I?" -- Narrating the Quran with Christian saints -- Christian saints in Islamic literature -- From Paul and John to Fīmyūn and Ṣāliḥ -- Stories between Christianity and Islam.
Modern Jewish Theology is the first comprehensive collection of Jewish theological ideas from the pathbreaking nineteenth and early twentieth centuries, featuring selections from more than thirty of the most influential Jewish thinkers of the era as well as explorations of Judaism’s identity, uniqueness, and relevance; the origin of ethical monotheism; and the possibility of Jewish existentialism. These works—most translated for the first time into English by top scholars in modern Jewish history and philosophy—reveal how modern Jewish theology developed in concert with broader trends in Jewish intellectual and social modernization, especially scholarship (Wissenschaft des Judentums), ...