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While Muslims in Indonesia have begun to turn towards a strict adherence to Islam, the reality of the socio-religious environment is much more complicated than a simple shift towards fundamentalism. In this volume, contributors explore the multifaceted role of Islam in Indonesia from a variety of different perspectives, drawing on carefully compiled case studies. Topics covered include religious education, the increasing number of Muslim feminists in Indonesia, the role of Indonesia in the greater Muslim world, social activism and the middle class, and the interaction between Muslim radio and religious identity.
Di Serambi: On the Verandah, first published in 1995, brings together the work of twelve contemporary Indonesian poets. Over forty poems are presented in both Indonesian and English, together with notes on linguistic and cultural references, and a brief biography of each contributor. The poems have been selected to offer a range of chronological, thematic, and stylistic perspectives on Indonesian poetry. Iem Brown and Joan Davis travelled to Indonesia to interview the writers, providing the reader with a social context for the poetry. In their translations, they have kept faith with the oral tradition of Indonesian poetry, maintaining the rhythm and flow of the works, rather than presenting a purely literal interpretation. As a bilingual collection, this book serves those with general interest in Asian Studies as well as language students. Di Serambi: On the Verandah will prove invaluable to students and teachers of Indonesian language and culture.
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This book deals with the role and authority of such traditionalist Muslim scholars as A. Mustofa Bisri and Emha Ainun Nadjib in seeding religious pluralism in Indonesia. It shows that it is not necessary to base religious pluralism on "liberal" or "modernist" stances but rather on "traditionalist" attitudes. Religious pluralism can be smoothly connected to "traditionalism", so that this may preserve greater credibility in the population. Traditionalist scholars may play a considerable role in promoting religious pluralism in the society, in general, and among anti-pluralist groups, in particular. The account of the role and authority of these traditionalist scholars is significant in revealing the prospects for religious pluralism in the country. (Series: ?Southeast Asian Modernities, Vol. 17) [Subject: Religious Studies, Southeast Asian Studies, Islamic Studies]
This collection draws together the work of authors from Indonesia, Australia, North America, and Europe, in the first comprehensive attempt to relate modern Indonesian literature to the insights and approaches of postcolonial theory and literary criticism. The essays in the collection range over the history of modern Indonesian literature from its beginnings in the late nineteenth century to its diversity and growth in the 1990s. Some offer the fresh readings of well-known texts; others draw attention to aspects of the Indonesian literary tradition that have hitherto escaped the notice of scholars and critics. Grounded in detailed analysis of local contexts, yet enlivened by comparative and theoretical perspectives, the collection places Indonesian literature at the heart of contemporary cultural concerns.
In troubled times of heightened global tensions and conflict, (un)Common Sounds: Songs of Peace and Reconciliation among Muslims and Christians explores the contribution of music and the performing arts to peacebuilding and interfaith dialogue in interreligious settings. It asks the simple but endlessly complex question: How is music and song used in our faiths and daily lives to foster peace and reconciliation? Focusing on the two largest world religions that together comprise more than 55% of the world's population, the essays address the complexities of embodied, lived religious traditions by moving across and linking a range of disciplines: ethnomusicology (the intersection of music and ...
This book explores the role of intellectuals and governance processes in post-authoritarian Indonesia. Focusing on East Java, the author argues that intellectuals have played an increasingly direct and practical role in the exercise of governance at the local level of Indonesian politics. The book provides insights into how the collaboration between intellectuals and local politico-business elites has shaped good governance and democratic institution-building, validating power structures that continue to obstruct political participation in the country. In addition, the book also delves into the contribution of local intellectuals in resolving the contradictions between technocratic ideas and...
Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater pracxadtitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto. It examines the work of an array of theater groups and networks from Jakarta, Bandung, and Yogyakarta that pioneered new forms of theater-making and new themes that were often presented more directly and critically than previous groups had dared to do. Michael H. Bodden looks at a wide range of case studies to show how theater contributed to and helped build the opposition. He also looks at how specific combinations of social groups created tensions ...
Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance's significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change.