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The use of historical recordings as primary sources is relatively well established in both musicology and performance studies and has demonstrated how early recording technologies transformed the ways in which musicians and audiences engaged with music. This edited volume offers a timely snapshot of a wide range of contemporary research in the area of performance practice and performance histories, inviting readers to consider the wide range of research methods that are used in this ever-expanding area of scholarship. The volume brings together a diverse team of researchers who all use early recordings as their primary source to research performance in its broadest sense in a wide range of r...
This book is the first monograph about clarinet and wind music in Spain, studying the professionalisation of the Spanish clarinettists from the early 19th century. The social, academic and professional environment of wind musicians are addressed here through the case study of clarinettist, teacher, composer and deputy bandmaster of the Municipal Wind Band of Madrid, Miguel Yuste Moreno (1870-1947). An analysis and study of the national and international influences on the Spanish clarinet repertoire is offered here, especially, the premiere of Brahms's chamber music for clarinet.
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