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The Oxford Handbook of Late Antiquity offers an innovative overview of a period (c. 300-700 CE) that has become increasingly central to scholarly debates over the history of western and Middle Eastern civilizations. This volume covers such pivotal events as the fall of Rome, the rise of Christianity, the origins of Islam, and the early formation of Byzantium and the European Middle Ages. These events are set in the context of widespread literary, artistic, cultural, and religious change during the period. The geographical scope of this Handbook is unparalleled among comparable surveys of Late Antiquity; Arabia, Egypt, Central Asia, and the Balkans all receive dedicated treatments, while the ...
First full-length collection on one of the most significant and influential historians of the medieval period.
In Uncovering Jewish Creativity in Book III of the Sibylline oracles, Ashley L. Bacchi reclaims the importance of the Sibyl as a female voice of prophecy and reveals new layers of intertextual references that address political, cultural, and religious dialogue in second-century Ptolemaic Egypt. This investigation stands apart from prior examinations by reorienting the discussion around the desirability of the pseudonym to an issue of gender. It questions the impact of identifying the author’s message with a female prophetic figure and challenges the previous identification of paraphrased Greek oracles and their function within the text. Verses previously seen as anomalous are transferred from the role of Greek subterfuge of Jewish identity to offering nuanced support of monotheistic themes.
The monograph, based on Greek, Latin and Old French primary sources (especially Anna Komnene's Alexiad and William of Apulia's Gesta Roberti Wiscardi), as well as on a wide range of secondary material available in several languages, attempts a detailed description of the first century of Byzantine-Norman relations, namely from the early 11th to the early 12th century, focusing on the first two Norman expeditions against Byzantium's Ionian and Helladic possessions (1081-1085 and 1107-1108). The diplomatic background related to the intricacies of Byzantium's external affairs in one of its most perplexed historical periods, is discussed throughout in detail, making use of pertinent research fro...
By consequence of the Karabakh War in 2020 and due to Azerbaijanian revisionism concerning the history, culture and cultural monuments of the region, the discussion on Caucasian "Albania", which is little known in the West in both academic and public circles, has been reignited. The handbook provides an overview of the current state of research on the Caucasian "Albanians" in an objective, scientifically sound manner. The contributions are not necessarily intended to reveal new scientific findings but rather to summarise approved knowledge. The volume brings together internationally renowned scholars, researchers and practitioners from various fields of studies reporting on and reviewing the state of research concerning the Caucasian "Albanians", their history and archaeology, their language and written monuments, their religion, church history and their art, including their relation to the Udi people of today. The companion is intended to neutrally introduce the readership to the subject of Caucasian Albania from various perspectives.
In Translating "Clergie," Claire M. Waters explores medieval texts in French verse and prose from England and the Continent that perform and represent the process of teaching as a shared lay and clerical endeavor.
The Normans have long been recognised as one of the most dynamic forces within medieval western Europe. With a reputation for aggression and conquest, they rapidly expanded their powerbase from Normandy, and by the end of the twelfth century had established themselves in positions of strength from England to Sicily, Antioch to Dublin. Yet, despite this success recent scholarship has begun to question the ’Norman Achievement’ and look again at the degree to which a single Norman cultural identity existed across so diverse a territory. To explore this idea further, all the essays in this volume look at questions of Norman traditions in some of the peripheral Norman dominions. In response t...
Martha Malamud provides the only scholarly English translation of De Reditu Suo with significant notes and commentary that explore historical, literary, cultural, and mythical references, as well as commenting on literary allusions, the structure, diction, and style of the poem, and textual issues. De Reditu Suo provides fascinating insights into travel and communications networks in the rapidly changing, fragmented world of the fifth century. A substantial introductory essay explores Rutilius’ place in several intellectual and literary traditions, as the poem is a sophisticated piece of literature that both draws on the rich tradition of classical Latin poetry and reflects the distinctive...
Through interdisciplinary readings of medieval literature and devotional artifacts, The Medieval Poetics of the Reliquary shows how reliquaries shaped ideas about poetry and poetics in late-medieval England.
Diliana Angelova argues that from the time of Augustus through early Byzantium, a discourse of “sacred founders”—articulated in artwork, literature, imperial honors, and the built environment—helped legitimize the authority of the emperor and his family. The discourse coalesced around the central idea, bound to a myth of origins, that imperial men and women were sacred founders of the land, mirror images of the empire’s divine founders. When Constantine and his formidable mother Helena established a new capital for the Roman Empire, they initiated the Christian transformation of this discourse by brilliantly reformulating the founding myth. Over time, this transformation empowered imperial women, strengthened the cult of the Virgin Mary, fueled contests between church and state, and provoked an arresting synthesis of imperial and Christian art. Sacred Founders presents a bold interpretive framework that unearths deep continuities between the ancient and medieval worlds, recovers a forgotten transformation in female imperial power, and offers a striking reinterpretation of early Christian art.