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Dear Boy
Dear Boy is an irresistible and life-affirming debut collection by a new poet of startling gifts.
Stranger, Baby
Emily Berry's Dear Boy was described as a 'blazing debut', winning the Forward Prize for Best First Collection in 2013. Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'
Stingray Fevers
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Penguin Modern Poets 1
The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment. ". . . And I was grown up, with your face on, heating spice after spice to smoke out the smell of books, to burn the taste buds off this bitten tongue, avoid ever speaking of you." - Emily Berry, 'Her Inheritance' "If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you." - Anne Carson, 'Candor' "I had a moment there among the balustrades and once that moment had expired it graduated from a moment to a life" - Sophie Collins, 'Dear No. 24601'
My Body
*THE NEW YORK TIMES BESTSELLER* A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate celebrity of our time. _______________ 'Dazzling' - Observer 'Excellent [...] Ratajkowski writes with curiosity, intellect and acute awareness' - Harper's Bazaar 'Superb [...] it feels revolutionary' - Telegraph 'I admire and envy her artistry' - Guardian _______________ Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the pr...
Unexhausted Time
Unexhausted Time inhabits a world of dream and dawn, in which thoughts touch us 'like soft rain', and all the elements are brought closer in. Feelings, messages, symbols, visions . . . Emily Berry's latest collection takes shape in the half-light between the real and the imagined, where everything is lost and yet 'nothing goes away'. Here life's innumerable impressions, moods, seasons and déjà vus collect and disarrange themselves, while a glowing, companionable 'I' travels the mind's landscapes in hope of refuge and transformation amid these displaced moments in time. Whether one reads Unexhausted Time as a long poem to step into or a series of titled and untitled fragments to pick up and cherish, the work is healing and inspiring, always asking how we might harness the power of naming without losing life's 'magic unknownness'. By offering these intangible encounters, Emily Berry more truly presents 'what being alive is'. 'Emily Berry has a refreshingly free, not to say incendiary, approach to poetry.' Observer
The Republic of Motherhood
*'The Republic of Motherhood' Winner of the Forward Prize for Best Single Poem* ‘I crossed the border into the Republic of Motherhood and found it a queendom, a wild queendom.’ In this bold and resonant gathering of poems, Liz Berry turns her distinctive voice to the transformative experience of new motherhood. Her poems sing the body electric, from the joy and anguish of becoming a mother, through its darkest hours to its brightest days. With honesty and unabashed beauty, they bear witness to that most tender of times – when a new life arrives, and everything changes.
Brand New Ancients
Kae Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; their dramatic poem Brand New Ancients won the prestigious Ted Hughes Prize for innovation in poetry. Tempest’s wholly unique blend of street poetry, rap and storytelling – combined with the spellbinding delivery of an open-air revivalist – has won them legions of followers all over the UK. Tempest's remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music. Brand New Ancients is the tale of two families and their intertwining lives, set against the background of the city and braided with classical myth. Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love – and that our lives make tales no less dramatic and powerful than those of the old gods.
The Beautiful Librarians
Each poem in Sean O'Brien's superb new collection opens on a wholly different room, vista or landscape, each drawn with the poet's increasingly refined sense of tone, history and rhetorical assurance. The Beautiful Librarians is a stock-taking of sorts, and a celebration of those unsung but central figures in our culture, often overlooked by both capital and official account. Here we find infantrymen, wrestlers, old lushes in the hotel bar - but none more heroic than the librarians of the title, those silent and silencing guardians of literature and knowledge who, the poet reminds us, also had lives of their own to be celebrated. Elsewhere we find a 12-bar blues sung by Ovid, a hymn to a grey rose, a writing course from hell, and a very French exercise in waiting. A book of terrific variety of theme and form, The Beautiful Librarians is another bravura performance from the most garlanded English poet of his generation.
OK, Mr Field
Shortlisted for the London Magazine and Collyer Bristow Debut Fiction Prize, 2019 Mr Field, a concert pianist travelling back from a performance in London, suffers a fractured wrist in a train crash. On a whim, he uses his compensation money to buy a house he has seen in a newspaper - a replica of Le Corbusier's Villa Savoye -- on the coast outside Cape Town. But when Mr Field moves there with his wife, Mim, he finds that the house has a disturbing and unexpected effect. Dwelling in the gaps within conversations, and the distances between people, OK, Mr Field is a powerful story of obsession, disintegration and loneliness.
