You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book offers a novel and unconventional approach to Roman culture, through food - or rather, food as it is represented in literature. Food is not generally thought of as the noblest of literary subjects, and this view is a legacy from the Romans, so it is curious that Roman writers chose so persistently to depict their society at the dinner-table. Why this was so, and what effect the inclusion of food had on the status of the literary texts that described it, are among the questions discussed here. The book also addresses problems that arise when a material subject is translated into words, and contains fresh interpretations of Latin texts that have been unjustly undervalued - comedy, satire, epigrams, letters, and iambics. While often regarded as something trivial and gross, food was in fact one of the most suggestive images for Roman civilization. -
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
Showcases innovative approaches to Latin literature by reading textual absence as a generative force for literary interpretation and reception. Includes chapters by a wide range of scholars, covering some of the main authors of the Latin literary tradition, often in dialogue with modern literature and philosophy.
Walking through Elysium traces Vergil's influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized.
The first book-length treatment of artistic ecphrasis in Roman literature, The Captor's Image challenges pervasive views to argue for it as a site of subtle, ongoing competition between Greek and Roman cultures.
Family is everything to Willa. Adopted at birth, her loving husband and son are her safe haven, and the ones she has clung to while numbed by the pain of a recent loss. When a letter arrives, it opens a path for Willa to re-engage with life: she has inherited a house halfway across the world, in a town she’s never heard of, from a woman she doesn’t know. Her only guess is that Lillian Brooks could have been her birth mother. Travelling to the inviting shores of Sisters Cove, Willa is entranced by the dilapidated old house she now owns, perched high on a windy cliff within the Merrivale Estate. But as she begins to look amongst the dusty photos and sealed boxes of papers left to her, it b...
The calamity that proved lethal for Pompeii inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations, including Renoir, Freud, Hirohito, Mozart, Dickens, Twain, Rossellini, and Ingrid Bergman. Interwoven is the thread of Ingrid Rowland's own impressions of Pompeii.
What people ate used to be considered marginal and insignificant. CONSUMING PASSIONS shows how that picture is changing. This collection of essays reveals that historians, sociologists, psychiatrists, philosophers, along with ordinary people, are seriously studying the relationship between what we eat and how we live, behave, and think. 20 illustrations.
The aim of this book is to explain, carefully but not technically, the differences between advanced, research-level mathematics, and the sort of mathematics we learn at school. The most fundamental differences are philosophical, and readers of this book will emerge with a clearer understanding of paradoxical-sounding concepts such as infinity, curved space, and imaginary numbers. The first few chapters are about general aspects of mathematical thought. These are followed by discussions of more specific topics, and the book closes with a chapter answering common sociological questions about the mathematical community (such as "Is it true that mathematicians burn out at the age of 25?") ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Offers a fresh interpretation of Virgil's Aeneid via a detailed study of its child hero, Ascanius, young son of Aeneas.