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A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.
"Delve into the intriguing world of bioethics with a twist, where each ethical dilemma is introduced with a dramatic moral mystery story. Far from the usual medical case studies, these tales are crafted not just to educate but to captivate. This innovative resource presents sixty riveting topics designed to educate and captivate medical healthcare students and practitioners. Each issue focuses on high-yield content crucial for boards, licensing exams, and continuing medical education for students and practitioners. The book is an essential reference for clinical practice, ethics consultations,"--
This first comprehensive study unites musical, literary, documentary and cultural perspectives to shed new light on Ravel's compositional practice.
Prepared for State and local government officials, LEPCs, and other community groups that want to make Title III of the Superfund Amend. and Reauth. Act of 1986 work. It is intended as a practical guide for those who have little or no previous experience in the field of communication, and whose time and resources are limited. Discusses planning, which is vital to the success of a communication program. Suggests ways to get and keep people involved, especially important because Title III affects so many sectors of the community. A how-to-do-it section talks about specific tasks, such as giving a speech or writing a press release.
Unaccountably, Percy Grainger has remained on the margins of both American music history and twentieth-century modernism. This volume reveals the well-known composer of popular gems to be a self-described ’hyper-modernist’ who composed works of uncompromising dissonance, challenged the conventions of folk song collection and adaptation, re-visioned the modern orchestra, experimented with ’ego-less’ composition and designed electronic machines intended to supersede human application. Grainger was far from being a self-sufficient maverick working in isolation. Through contact with innovators such as Ferrucio Busoni, Léon Theremin and Henry Cowell; promotion of the music of modern Fren...
There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments – such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery.
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately re...
A comprehensive review & summary for the 1992 requirements for toxic chemical release. Explains in detail the reporting, strategy & results by state, industry & company. A discussion of pollution prevention activities & results is provided. Appendices include a complete question & answer section. Over 200 charts, tables & state maps.
This new biography of Maurice Ravel (1875–1937), by one of the leading scholars of nineteenth- and twentieth-century French music, is based on a wealth of written and oral evidence, some newly translated and some derived from interviews with the composer’s friends and associates. As well as describing the circumstances in which Ravel composed, the book explores new evidence to present radical views of the composer’s background and upbringing, his notorious failure in the Prix de Rome, his incisive and often combative character, his sexual preferences, and his long final illness. It also contains the most detailed account so far published of his hugely successful American tour of 1928. The world of Maurice Ravel—including friendships (and some fallings-out) with Debussy, Faur�, Diaghilev, Gershwin, and Toscanini—is deftly uncovered in this sensitive portrait.