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UPON THE FRAGILE SHORE is a play for four actors by Caridad Svich that explores human rights and environmental issues around the world especially in relationship to human-made tragedies and their aftermath. The play centers on stories from the United States, Nigeria, Syria, Malaysia, sub-Sahara, and Venezuela. Seven interlocking stories. Fourteen characters played by four actors. All of us living on the fragile shore. A play-conversation about tragedy, hope, faith, and who we are as audience.
THIS THING OF OURS by Caridad Svich. A text for live performance. In THIS THING OF OURS, an act of violence struck our city. This has happened before. We say we will put our lives back together. Years will go by. We will grow apart, come together, have children, and some of us, will wonder how to keep going, as we turn to myths and seek lessons there. In our theaters of memory, in our songs of transcendence, perhaps we will find peace. THIS THING OF OURS was first seen at Repertory Theatre of St. Louis' Ignite Festival of New Work.
Ethnography by Design, unlike many investigations into how ethnography can be done, focuses on the benefits of sustained collaboration across projects to ethnographic enquiry, and the possibilities of experimental co-design as part of field research. The book translates specifically scenic design practices, which include processes like speculation, materialization, and iteration, and applies them to ethnographic inquiry, emphasizing both the value of design studio processes and "designed" field encounters. The authors make it clear that design studio practices allow ethnographers to ask and develop very different questions within their own and others' research and thus, design also offers a ...
"A collection of essays, interviews and reflections on themes related to making work for live performance in political and aesthetic resistance to forms and systems that oppress human rights and censor or severely limit freedom of expression. This book offers thoughtful, polemical articulations of practice and theory on the multiple meanings of political art, and the ways in which progressive, wholistic cultural change may be instigated through artworks."--Back cover.
Languages of Trauma explores how, and for what purposes, trauma is expressed in historical sources and visual media.
An inspirational sourcebook of innovative techniques for creating theatre, with contributions from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders. Editor Caridad Svich has gathered forty-one essays from admired theatre professionals in response to a call to write about 'artistic innovation'. Each of them shares the creative challenges and triumphs of developing original works for today's stages. 'With intelligence, thoughtfulness, rigor and wit, author after author offer their considered take on the subject, unlocking new perspectives, unearthing old ones, and in general, doing what artists do best when they are walking on ground they tr...
Works of theatre that depict grievous histories derive their force from making audible voices of the past. Such performances, theatrical or tourist, require the attentive belief of spectators. This engaging new study explores how theatricality works in each instance and how 'playing the part' of the listener can be understood in ethical terms.
"Only Helene Foley could have written this book. The combination of meticulous classical scholarship with a lifetime of accumulated experience of the US contemporary arts scene has produced a stylish, exciting, and energising read. Mandatory reading for anyone who loves either Greek or American Theatre.”—Edith Hall, author of Greek Tragedy: Suffering under the Sun “This eagerly anticipated volume covers enormous ground with great skill and insight. It demonstrates unequivocally that the ancient plays have not simply been central to life within the American academy; they have also routinely been at the forefront of innovation and debate within the American theatre.”—Fiona McIntosh, Director of the Archive of Performances of Greek and Roman Drama, University of Oxford. "A magnificent work, impressive in its scope and learning, yet accessible and engaging—an extraordinary, indeed indispensable contribution to reception studies of Greek tragedy."—Mary Kay Gamel, Professor of Classics, Comparative Literature, and Theater Arts, University of California, Santa Cruz
"Mara rescues a mysteriously wounded girl on the riverbank while her two aunts worry their niece will disappear from the violence-ridden city without a trace. On the other side of the barrio, the nostalgic Horacio drives his restless grandson Gusty out of the house with another story from his childhood. Wanting more out of their lives than what their families and their barrio can give, Mara and Gusty meet on the edge of the city to confront the mystery of an unknown and wild forest while the spirit of the wounded girl haunts them all." --
This is a comprehensive workbook for actors, covering the key characteristics and profiles of a wide range of African accents of English. Its unique approach not only addresses the methods and processes by which to go about learning an accent, but also looks in detail at each example. This lets the reader plot their own route through the learning process and tailor not only their working methods but also their own personal idiolect. Full breakdowns of each accent cover: an introduction giving a brief history of the accent, its ethnic background, and its language of origin preparatory warm-up exercises specific to each accent a directory of research materials including documentaries, plays, f...