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A World Connecting
Between 1870 and 1945, advances in communication and transportation simultaneously expanded and shrank the world. In five interpretive essays, A World Connecting goes beyond nations, empires, and world wars to capture the era’s defining feature: the profound and disruptive shift toward an ever more rapidly integrating world.
Paths to Power
Paths to Power includes essays on US foreign relations from the founding of the nation though the outbreak of World War II. Essays by leading historians review the literature on American diplomacy in the early Republic and in the age of Manifest Destiny, on American imperialism in the late nineteenth century and in the age of Roosevelt and Taft, on war and peace in the Wilsonian era, on foreign policy in the Republican ascendancy of the 1920s, and on the origins of World War II in Europe and the Pacific. The result is a comprehensive assessment of the current literature, helpful suggestions for further research, and a useful primer for students and scholars of American foreign relations.
A Date Which Will Live
How Pearl Harbor has been written about, thought of, and manipulated in American culture.
Spreading the American Dream
In examining the economic and cultural trs that expressed America's expansionist impulse during the first half of the twentieth century, Emily S. Rosenberg shows how U.S. foreign relations evolved from a largely private system to an increasingly public one and how, soon, the American dream became global.
Financial Missionaries to the World
Winner of the Society for Historians of American Foreign Relations Robert H. Ferrell Book Prize Financial Missionaries to the World establishes the broad scope and significance of "dollar diplomacy"—the use of international lending and advising—to early-twentieth-century U.S. foreign policy. Combining diplomatic, economic, and cultural history, the distinguished historian Emily S. Rosenberg shows how private bank loans were extended to leverage the acceptance of American financial advisers by foreign governments. In an analysis striking in its relevance to contemporary debates over international loans, she reveals how a practice initially justified as a progressive means to extend “civ...
Explaining the History of American Foreign Relations
Originally published in 1991, Explaining the History of American Foreign Relations has become an indispensable volume not only for teachers and students in international history and political science, but also for general readers seeking an introduction to American diplomatic history. This collection of essays highlights a variety of newer, innovative, and stimulating conceptual approaches and analytical methods used to study the history of American foreign relations, including bureaucratic, dependency, and world systems theories, corporatist and national security models, psychology, culture, and ideology. Along with substantially revised essays from the first edition, this volume presents entirely new material on postcolonial theory, borderlands history, modernization theory, gender, race, memory, cultural transfer, and critical theory. The book seeks to define the study of American international history, stimulate research in fresh directions, and encourage cross-disciplinary thinking, especially between diplomatic history and other fields of American history, in an increasingly transnational, globalizing world.
Casting a Giant Shadow
Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema. As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema. Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage.
A Bygone Yesterday: a Family Story
A Bygone Yesterday is a remembrance written by a grandson of Samuel and Louise Freund, detailing their roots in 19th century Bohemia (now the Czech Republic) and their shoots in the New World, from New York Citys Yorkville neighborhood to Chicago and Florida. It is the history of one couple that stepped aboard a train in Central Europe on a spring day in 1891 and began a journey that would transform their lives and the lives of their descendants. Yet, at the same time, the books broad scope creates a biographical collage, putting flesh on a broad sweep of history. A Bygone Yesterday explores the lives of Samuel and Louise Freund, their ancestors, descendants and kinfolk, as well as the social and historic context of the times in which they lived, touching on, among other things, the restrictive and discriminatory family laws of 19th century Bohemia, early 20th century life in the Yorkville enclave of New York City, the tragedy of the Holocaust and the ultimate triumph of a warm and embracing family life.
Mrs. Russell Sage
This is the biography of a ruling-class woman who created a new identity for herself in Gilded Age and Progressive Era America. A wife who derived her social standing from her robber-baron husband, Olivia Sage managed to fashion an image of benevolence that made possible her public career. In her husband's shadow for 37 years, she took on the Victorian mantle of active, reforming womanhood. When Russell Sage died in 1906, he left her a vast fortune. An advocate for the rights of women and the responsibilities of wealth, for moral reform and material betterment, she took the money and put it to her own uses. Spending replaced volunteer work; suffrage bazaars and fundraising fÃates gave way to large donations to favorite causes. As a widow, Olivia Sage moved in public with authority. She used her wealth to fund a wide spectrum of progressive reforms that had a lasting impact on American life, including her most significant philanthropy, the Russell Sage Foundation.
